Following the screening to a packed theatre, the film’s producer, director, and lead actors interacted with the media at a PIB press conference held at the festival venue.

Renowned actor Seema Biswas, who plays the mother, spoke passionately about the film’s theme of mistreatment of aged parents. Calling the issue deeply prevalent, she said: “I have seen a lot of families where aged parents are ill-treated. Cinema is a powerful medium that can influence society. It is important to speak about the rising insensitivity towards elderly parents.” She feels that children desolating old parents shouldn’t happen more in a society like that of India where traditionally three generations stay together. She shared that the script moved her instantly, revealing: “If I were in the place of the mother who was deserted, I wouldn’t have returned. Self-respect is essential; without respect, familial bonds lose meaning.” The renowned actor also said that the pre-shoot workshops helped the team understand the characters better and “live with the characters” during filming.

Actor Chandan Roy Sanyal, who plays the son, said that actors often have to portray characters which are socially unacceptable. He feels that the film is very relevant as some people also treat aged parents as burden, even though mothers are worshipped in India. He approached the role without villainy, noting that even flawed individuals have their own internal justifications. His character’s painful realisation of guilt forms a key emotional arc of the film.

Actor Anjali Patil remarked that she accepted the role in the film for the simplicity of narrative, which is rare in contemporary cinema, and the opportunity to work and learn from the great actor Seema Biswas.

The film’s producer Hemanshu Rai recalled hearing the script in Goa a year earlier and being immediately struck by its power. He remarked that the story’s essence resonated with him as it is about the strongest bond of a mother and son, though having a dark side as well. The story is very powerful, he feels.

Debutant Director Ashutosh Singh shot amidst a sea of people in Mahakumbh. The area also happens to be his village! Shooting was completed in 10-12 days in midst of the crowd of Mahakumbh which was visited by crores of  pilgrims. He noted, “The colour of the film was found in Mahakumbh” and highlighted the blend of tradition and modernity—the pilgrims with digital devices, the vibrant folk ambience, and the visual chaos that shaped the film’s texture. All these found a reflection in the film.

He stated that shooting in Kumbh was the most difficult part, though shooting in his own village was fun. He also remarked, “The shooting was like film school training, having such powerhouse actors. It is important to have a good cast for a film”.

Giving more insights on tackling the crowd while shooting in a real location like Kumbh, Ashutosh revealed that the entire cast and crew were dressed like local people, not wearing any fancy  “bombaiya kapda”. That way, they easily became a part of the crowd! They also took dip in sangam. Since many people carry video cameras around, using shooting devices didn’t make them stand out much, said the Director. The only concern was to make the characters stand out amidst the crowd, he added.

The lead actors also revealed that Shooting in Kumbh was unique and challenging, but adventurous and exciting. Anjali Patil regretted not having to shoot in Kumbh as her scenes didn’t have any provision for it. Seema Biswas noted, “The crowd didn’t interfere much with the shooting process and were very cooperative and supportive, may be because of the existent spiritual feelings all around”.

About IFFI:

Born in 1952, the International Film Festival of India (IFFI) stands tall as South Asia’s oldest and largest celebration of cinema. Jointly hosted by the National Film Development Corporation (NFDC), Ministry of Information and Broadcasting, Government of India and the Entertainment Society of Goa (ESG), State Government of Goa, the festival has grown into a global cinematic powerhouse—where restored classics meet bold experiments, and legendary maestros share space with fearless first-timers. What makes IFFI truly sparkle is its electric mix—international competitions, cultural showcases, masterclasses, tributes, and the high-energy WAVES Film Bazaar, where ideas, deals and collaborations take flight. Staged against Goa’s stunning coastal backdrop from November 20–28, the 56th edition promises a dazzling spectrum of languages, genres, innovations, and voices—an immersive celebration of India’s creative brilliance on the world stage.

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Over the past nine days, powerful stories and vibrant performances light up the silver screens and stages in the film festival’s venues spread across Goa, thereby enthralling audiences and reflecting a universal artistic spirit.

The red-carpet moments featuring both emerging and celebrated artists, the spectacular cultural performances, and the awards honouring distinguished as well as newly discovered cinematic talent together made the evening a memorable one for cine enthusiasts and film aficionados.

The festival came to a close with the screening of the Closing Film A Useful Ghost, directed by Ratchapoom Boonbunchachoke — a surreal gem that has earned acclaim at several renowned international film festivals and awards.

Amid the evening’s celebrations, the highlight unfolded with the announcement of the eagerly awaited awards, honoring the brilliant creators and outstanding talents who enchant audiences with their artistic excellence.

‘Skin of Youth’ directed by Ashleigh Mayfair bags the prestigious ‘Golden Peacock’ for Best Feature film    

Vietnamese film ‘Skin of Youth’ written and directed by Ashleigh Mayfair was adjudged the best feature film in the International Competition section, thereby bagging the prestigious Golden Peacock in 56^th IFFI.

With its compelling narrative, the film delivers a powerful message—to humanize, to illuminate, and to challenge silence. All elements of the film came together beautifully with good music and skilful editing. The Jury defined the film as – Bold and brave, stunning and stylish. The love and sacrifice shown in the film informs us of a life few of us will know, and hence the film will live long in our minds.

Santosh Davakhar, Director of Marathi film ‘Gondhal’ receives Silver Peacock for Best Director

Marathi feature ‘Gondhaal’ earned director 0the Silver Peacock for the Best Director in 56^th IFFI.

Set against the rich fabric of cultural tradition, Director Santosh Davakhar has given birth to a cinematic gem. A captivating narrative that keeps us on edge, surprising us beyond our wildest imagination – is how the Jury praised the film. Gondhal is like a Shakespearean fable set in a real world, the Jury further said.

Ubeimar Rios, Lead Actor of Spanish film ‘A Poet’ receives Silver Peacock for Best Male Actor

The lead actor of Spanish film A Poet, Ubeimar Rios was honoured with the Silver Peacock for Best Actor (Male) award in the 56^th IFFI.

The film explores the age-old clash between Art and Survival, but in a unique and unexpected way. The Jury stated that the film showcased a brilliant first time performance from actor Ubeimar Rios who portrays a suffering, defeated poet in a serious emotional crisis until he meets a talented teenager who changes his life. The film and Ubeimar’s portrayal are supremely uplifting and ultimately wonderfully redeeming, the Jury further stated in the citation.

Jara Sofija Ostan, Lead Actor of Slovenian film Little Trouble Girls receives Silver Peacock for Best Female Actor

Jara Sofija Ostan, lead actor of Slovenian film Little Trouble Girls was honoured with the Silver Peacock in 56^th IFFI for her remarkably subtle and deeply expressive performance.

The Jury applauded her acting skills by citing that much is said through the simplest, most truthful, tiniest expressions and extremely delicate gestures.

Akinola Davies Jr, Director of My Father’s Shadow receives Special Jury Award

British-Nigerian film maker Akinola Davies Jr. was honoured with the Special Jury Award for the film My Father’s Shadow, in 56^th IFFI.

The Director and Screenplay writer has been applauded by the Jury, who said that Intimate moments and small gestures are at the heart of this film’s warm embrace. 

Hesam Farahmand for Persian film My Daughter’s Hair (Raha) and Tõnis Pill for Estonian film Frank jointly receive Best Debut Feature Film of a Director Award

Iranian film-maker Hesam Farahmand for his debut film My Daughter’s Hair (Raha) and Estonian film-maker Tõnis Pill for his debut feature Fränk, have been declared as joint winners of the Best Debut Film of a Director Award in 56^th IFFI.

The Jury praised both the films, which they cited to have stood tall, and equally were equally struck them by their brilliance.

Karan Singh Tyagi, Director of Hindi film Kesari Chapter 2 receives ‘Best Debut Director of Indian Feature Film Award’ award

Kesari Chapter 2 director Karan Singh Tyagi received the award for his debut film in the 56^th IFFI. Indian Panaroma jury congratulated the director, producer, actors and technicians of this film. 

Bandish Bandits Season 2 receives Best Web Series (OTT) Award  

The Best Web Series (OTT) award in the 56^th IFFI went to the team of Bandish Bandits Season 2. The Jury felt that the story of the web series makes music and art accessible for all.

Norwegian Film “Safe House” Wins the Prestigious ICFT–UNESCO Gandhi Medal

The Norwegian film “Safe House”, directed by Eirik Svensson, has been awarded the ICFT–UNESCO Gandhi Medal at the 56th International Film Festival of India (IFFI 2025) for its outstanding contribution to cinema that promotes peace, non-violence, and intercultural dialogue.​

A Golden Saga: Rajinikanth’s 50-Year Reign in Indian Cinema Celebrated

Legendary actor Rajinikanth, who has completed 50 years in Indian cinema—a milestone that reflects his enduring influence on the nation’s film culture—was specially felicitated at the closing ceremony today. The iconic star, who has captivated Indian audiences for half a century, expressed his gratitude to the Central Government for the honour. “When I look back, it feels as if time has flown, because I love cinema and acting. I would like to take a hundred births as an actor—as Rajinikanth. Thank you very much for your love and affection. This honour belongs to the entire film industry—producers, directors, technicians, distributors, exhibitors, and everyone else,” said the legendary actor.

The Chief Minister of Goa Dr. Pramod Sawant conveyed the congratulatory message of Honourable Prime Minister, who was in Goa for the 550th-year celebration of the Shree Samsthan Gokarn Partagali Jeevottam Math in Goa, to all the award winners. Dr. Pramod Sawant said that the spirit of Vasudhaiva Kutumbakam reflects creativity, innovation, technology, storytelling, and cinema. “We are here to celebrate films and the stories that move the world,” he remarked. He added that the evening was not merely the conclusion of a festival, but the culmination of a remarkable gathering of creative minds, artistic brilliance, and global collaborations. Highlighting cinema’s transformative power, he said that films are far more than entertainment—they shape public consciousness, inspire social change, preserve cultural heritage, and foster unity across India’s diverse society. Dr. Sawant noted that today’s content creators are crafting fresh narratives and experimenting with new formats that transcend geographical boundaries.He stated that Goa is IFFI’s permanent venue for years now and added that the Goa Government has made tireless efforts in nurturing the festival into a global cultural landmark.

Addressing the concluding ceremony of IFFI 2025, Union Minister of State for Information & Broadcasting and Parliamentary Affairs, Dr. L. Murugan highlighted the key innovations of the 56th edition of the festival. He noted that this year’s IFFI introduced tableaus and cultural exhibits from various states and production houses across Goa, showcasing India’s rich cultural heritage. “Every year, IFFI brings new flavours,” he said. Citing the Prime Minister’s vision, he shared that the WAVES Summit was held for the first time in Mumbai, with participation from 77 nations and key stakeholders from film, entertainment, media, and creative industries. The MoS also informed that this year’s festival celebrated the centenary of legendary film icons including Guru Dutt, Raj Khosla, Ritwik Ghatak, Bhupen Hazarika, P. Bhanumati, Salil Choudhury, and K. Vaikunth, and also felicitated Rajinikanth for completing 50 years in cinema. Dr. L. Murugan added that the WAVES Film Bazaar generated business worth over ₹1,050 crore for emerging filmmakers, while 125 young talents participated in the CMOT program, reflecting IFFI’s commitment to nurturing new creators. “For the first time in IFFI’s history, 50 films directed by women were screened, reaffirming our focus on empowering women in cinema,” he noted. Dr.  Murugan highlighted the establishment of the Indian Institute of Creative Technology in Mumbai to further drive innovation at the intersection of creativity and technology.

Speaking on the occasion, Secretary, Ministry of Information & Broadcasting, Shri Sanjay Jaju stated that Hon’ble Prime Minister Shri Narendra Modi said at the WAVES Summit that this is the time for dawn of the orange economy. I & B Secretary Shri Jaju further said that IFFI 2025 has taken a bold step in that direction—creating opportunities for creators and showcasing Indian talent proudly on the global stage. Shri Jaju also said that Indian Institute of Creative Technology (IICT) will help creators to not only hone up their skills and craft, but also learn the technology which is also an integral part of any creative production. The NFDC campus of IICT has already started functioning, he informed. IICT at Mumbai will be like a hub and spoke model, which will benefit creators around the country, he further added.

The Indian film industry icons remembered  the towering personalities who passed away this year, including Dharmendra, Kamini Kaushal, Sulakshana Pandit, Satish Shah, Piyush Pandey, Rishabh Tandon, Govardhan Asrani, Pankaj Dheer, Varinder Singh Ghuman, Zubeen Garg, Bal Karve, Jaswinder Bhalla, Jyoti Chandekar, Ratan Thiyam, B. Saroja Devi, Shefali Jariwala, Partho Ghosh, Vibhu Raghave, Shaji N. Karun, Manoj Kumar, Alok Chatterjee, Shyam Benegal and Zakir Hussain, for their invaluable contributions to Indian cinema.

Iconic film industry personalities Ramesh Sippy, Nawazuddin Siddiqui, Abhay Sinha, ⁠Omprakash Mehra, Kiran Shantaram were felicitated on the occasion. Festival Director Shekhar Kapur, NFDC MD Shri Prakash Madgum, ESG Goa Chairperson Delilah Lobo, Ravi Kisan, Rishabh Shetty, Ranveer Singh, Amit Sadd, Niharika Konidela and G.V.Prakash Kumar were present amongst the dignitaries on the occasion.

Through the Ganesh Vandana, traditional dances, remarkable performances by divyang artists, a vivid display of North East India’s cultural richness and Karnataka’s traditional folk theatre form of Yakshagana and  the performance of Manganiyars from Rajasthan, the program highlighted the diversity and vibrancy of Indian heritage.

The presence of Indian Sign Language interpreters at the closing ceremony underscored the inclusive spirit of the festival, which was reflected over the past nine days at the IFFI grounds through numerous divyang-friendly measures.

This year the film festival introduced AI Film Festival and CinemAI Hackathon that provided a platform to encourage creators worldwide to push the boundaries of storytelling using AI-driven tools for scriptwriting, video generation, editing, and production. 56^th IFFI also brought forth several masters of cinema and creativity for knowledge enhancing discourses- in-conversations, masterclasses and round tables.

The 56th IFFI, which concluded with a vibrant celebration of cinema, storytelling, and creativity, featuring stellar performances by talented artists and honouring deserving films and personalities, has etched a memorable space in the hearts of cinephiles and the global film community, while also earning a bright spot in the creative economy, highlighting the festival’s role in fostering innovation, talent, and artistic enterprise.

Now begins the wait for the next edition of IFFI, which will once again offer a global platform to celebrate cinematic excellence, recognize outstanding talent, and strengthen the creative economy.

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In a landmark moment celebrating emerging cinematic talent, the 56th International Film Festival of India today honoured Karan Singh Tyagi with the Best Debut Director of Indian Feature Film Award for his critically acclaimed film ‘Kesari Chapter 2. Dr. L. Murugan, Minister of State for Information and Broadcasting and Parliamentary Affairs, handed over the award to Karan Singh Tyagi in the closing ceremony today. Shri Sanjay Jaju, Secretary, Ministry of Information & Broadcasting was present.

Tyagi, a filmmaker, writer, and producer, has carved a distinctive space for himself in Indian cinema with his sharp storytelling and commitment to meaningful narratives. His body of work already includes notable titles such as ‘Bandish Bandits’ and ‘Kaalkoot,’ and through ‘Kesari Chapter 2’ he has firmly established himself as a director to watch.

The Jury commented that it recognises the cinematic values, historical importance and compelling moments of Indian Freedom struggle which have been captured in the film. The Jurors and Chairperson of the Indian Panorama also added that they wish to congratulate the director, producer, the actors and the technicians of ‘Kesari Chapter 2,’ and called it a visual excellence.

‘Kesari Chapter 2’ recounts the extraordinary true story of Sankaran Nair, the fearless barrister from Kerala who took on the British Empire to expose the truth behind the Jallianwala Bagh Massacre. As a member of the Viceroy’s Council, Nair uncovers undeniable evidence of General Dyer’s deliberate firing on unarmed civilians. Together with young lawyer Dilreet Gill, he launches a daring legal battle against the colonial establishment, demanding justice for the hundreds of victims.

The film not only captures Nair’s unshakeable courage but also highlights the spark his actions ignited in India’s freedom struggle. Through its compelling courtroom drama and powerful performances, ‘Kesari Chapter 2’ brings to life a lesser-known chapter of Indian history with cinematic intensity and emotional depth.

The Best Debut Director of Indian Feature Film Award is part of IFFI’s continued effort to spotlight fresh voices redefining the country’s creative landscape. This year, the jury selected standout debut features that showcased innovative storytelling, regional diversity, and strong cinematic vision.

Instituted to recognise the creativity and promise of first-time filmmakers, the award honours directors whose early work signals significant potential and artistic merit. Each year, up to five debut films are selected in accordance with festival regulations and showcased. The award carries a cash prize of ₹5 lakhs along with a certificate.

By celebrating debut filmmakers like Karan Singh Tyagi, IFFI reaffirms its commitment to nurturing the next generation of storytellers: voices that will shape the future of Indian cinema with bold ideas, fresh perspectives, and transformative narratives.

About IFFI

Born in 1952, the International Film Festival of India (IFFI) stands tall as South Asia’s oldest and largest celebration of cinema. Jointly hosted by the National Film Development Corporation (NFDC), Ministry of Information and Broadcasting, Government of India and the Entertainment Society of Goa (ESG), State Government of Goa, the festival has grown into a global cinematic powerhouse—where restored classics meet bold experiments, and legendary maestros share space with fearless first-timers. What makes IFFI truly sparkle is its electric mix—international competitions, cultural showcases, masterclasses, tributes, and the high-energy WAVES Film Bazaar, where ideas, deals and collaborations take flight. Staged against Goa’s stunning coastal backdrop from November 20–28, the 56th edition promises a dazzling spectrum of languages, genres, innovations, and voices—an immersive celebration of India’s creative brilliance on the world stage.

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The post Karan Singh Tyagi Wins Best Debut Director of Indian Feature Film at 56th IFFI for ‘Kesari Chapter 2’ first appeared on Approach Bollywood.

Noted filmmaker Rahul Rawail delivered an emotional remembrance, reflecting on his cherished memories with one of the brightest stars of the silver screen. He began by urging everyone to celebrate the extraordinary life of Late Shri Dharmendra, acknowledging the immense sorrow his family must be enduring. “He was an iconic actor and an exceptional human being,” Rawail said.

Recalling his days as an Assistant Director on Raj Kapoor’s Mera Naam Joker, Rawail shared how Late Shri Dharmendra portrayed trapeze artist Mahendra Kumar with unmatched dedication. He narrated how the actor would take an evening flight to Delhi every day for a month, shoot till 5 a.m., and then return to Mumbai to continue filming Aadmi Aur Insaan—a grueling schedule he maintained unfailingly.

Rahul Rawail also reminisced about the shooting of Betaab (1983), which marked the debut of Late Shri Dharmendra’s son, Sunny Deol. While filming in Kashmir, crowds would gather in large numbers just to catch a glimpse of Late Shri Dharmendra. After the film’s release, he watched his son’s debut at Gaiety Cinema in Bandra West every evening for several days and would visit Director Rahul Rawail’s home afterward to discuss the film with the same enthusiasm of someone viewing it for the first time each and every day. Rawail also noted with pride that the legendary actor’s children continue to carry forward his ‘tremendous legacy’.

“Dharam ji was a man whose life must be celebrated, for he brought a lot of pleasure to people”, he said emotionally. He recounted the story of a Delhi police officer who had longed to meet Late Shri Dharmendra and touch his feet. Upon learning that the icon had passed away, the officer broke down in grief, called Rawail and expressed his desire to meet Sunny Deol to convey his condolences. “This is the power of Dharam ji,” Rawail emphasized.

Rawail also called Late Shri Dharmendra a father figure who nurtured and supported him throughout his career. He also praised him as a wonderful producer.

In his concluding remarks, he said, “We’ve lost a great human being. We were fortunate to have lived in times when icons like Dharmendra ji were working.” He expressed gratitude to the IFFI organizers for arranging a special homage to honour the timeless star.

A towering figure, a beloved artist, and a man of unmatched warmth— Late Shri Dharmendra’s legacy will forever remain etched in the heart of Indian cinema.

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The post IFFI 2025 Pays Heartfelt Tribute to Legendary Actor Shri Dharmendra first appeared on Approach Bollywood.

Mumbai, November 24, 2025 – Today, as the news of Dharmendra ji’s passing reaches us, a profound silence falls over the world of cinema, but in my heart, it echoes with the thunderous applause of memories that began in the dim-lit halls of a small-town theatre. Dharmendra ji – the rugged, soul-stirring ‘He-Man’ who embodied resilience, romance, and raw humanity – was not just a screen icon for me; he was the very first flame that ignited my lifelong love affair with films. As the founder of Approach Entertainment, Approach Communications, and Go Spiritual India, where I blend storytelling with spiritual depth, I pen this tribute not as a mere admirer, but as a boy who found his calling under the spell of his silver-screen magic.

My journey into the enchanting realm of Bollywood began innocently enough: as a wide-eyed 6-year-old kid, taken by family to a local theatre in Ghaziabad to watch Naam, directed by Mahesh Bhatt and starring Sanjay Dutt and Kumar Gaurav, with the unforgettable Pankaj Udhas song Chithi Aayi Hai. I was too young to grasp the story’s nuances, but the flickering lights, the swell of music, and the collective gasps of the audience planted the seed of wonder. Yet, it was the black-and-white family dramas of that era – simple tales of love, duty, and unyielding spirit, often featuring stalwarts like Dharmendra ji in his early romantic and heroic roles – that truly captured my young imagination during those lazy Sunday outings. Films like Bandini (1963) or Anupama (1966), screened amid the aroma of popcorn and family chatter, became my secret sanctuary. They were more than entertainment; they were lessons in empathy, whispered through monochrome reels, teaching a child from a modest village the power of human connection. Dharmendra ji’s portrayals in those heartfelt family sagas, with his earnest eyes and steadfast charm, made the world feel both vast and intimately relatable.

But it was in my rebellious teenage years, skipping school in the 8th standard, that Dharmendra ji truly claimed my soul. Sneaking into Muradnagar Priya Cinema – a modest outpost of dreams in Western UP, near my village in Ghaziabad district – I caught Charas, the 1976 thriller directed by Ramanand Sagar, where he starred alongside the radiant Hema Malini ji. What a rush it was! The gripping chase through snowy landscapes, the intensity of his undercover cop navigating betrayal and bravery – it was pulse-pounding, heart-wrenching, and utterly transformative. As I sat there, heart racing in the darkness, Dharmendra ji’s powerful performance didn’t just captivate; it reshaped me. “Watching Charas was a turning point in my life. The magic of cinema and the powerful performances by Dharmendra ji and Hema Malini ji captivated me and set the foundation for my future endeavors in the entertainment world. It was an innocent rebellion that led me to discover my true calling.” That day, amid the thrill of evasion and the triumph of justice, I knew: this was my path. From psychology graduate to postgraduate in advertising management, journalism, and filmmaking; from honing skills at leading ad agencies and media houses to directing advertising films, music videos, and short films; from executive producing in Bollywood and Hollywood to launching spiritual web series like Two Great Masters – every frame I craft traces back to that spark.

As I grew, so did my adoration for his timeless repertoire. The black-and-white gems of his early days evolved into the color-soaked classics that redefined heroism. Who can forget Sholay (1975), where his Veeru rode into our hearts on that iconic motorcycle, bellowing “Yeh dosti hum nahin todenge” with Amitabh Bachchan’s Jai? It wasn’t just bromance; it was a manifesto for loyalty, a spiritual bond that mirrored the dharma he lived. Then came Chupke Chupke (1975), a riot of wit and warmth, where Dharmendra ji’s comic timing – that mischievous grin, those impeccable impersonations – proved he was as light-hearted as he was lion-hearted. Hrishikesh Mukherjee’s masterpiece reminded us that true strength lies in laughter, a philosophy I carry into Go Spiritual India’s mission of fostering mental wellness and joy.

And Satyakam (1969)? Ah, Hrishikesh da’s philosophical gem, where Dharmendra ji essayed the idealist engineer Satyapriya, grappling with truth in a world of compromise. It was a film that pierced the soul, urging us to uphold integrity amid chaos – a message that resonates deeply in my work promoting spiritual awareness and philanthropy through Go Spiritual India. From the raw intensity of Phool Aur Patthar (1966) to the familial bonds in Dharam Veer (1977), and the vengeful fire of Pratiggya (1971), his filmography was a tapestry of life’s truths: love’s endurance, justice’s pursuit, and the quiet dignity of the common man. Even in later jewels like Rocky Aur Rani Kii Prem Kahaani (2023), he brought that same effortless grace, proving legends only grow brighter with time. Through Approach Entertainment – where we’ve collaborated with stars like Amitabh Bachchan, Govinda, Bhagyashree, Jackie Shroff, Tanushree Dutta, Bobby Deol, and others for endorsements, events, and films – and Approach Communications, excelling in PR and brand management across Mumbai, New Delhi, Gurugram, Goa, Kolkata, Dehradun, Chandigarh, Hyderabad, and Ahmedabad, his influence is woven into every project.

Dharmendra ji wasn’t merely an actor; he was a guru of the grit, teaching us through every role that true power blooms from vulnerability. His Jat Sikh roots, his unpretentious charm, his foray into politics as a BJP MP – all spoke of a man who lived the dharma he portrayed. In an industry often swayed by glamour, he remained Garam Dharam: warm, wise, and wildly human. As Go Spiritual – our not-for-profit dedicated to philanthropy, spiritual tourism, events, media, and social causes – launches initiatives like our news magazine and upcoming Web TV/OTT platform, I see his legacy in our quest to enlighten and inspire balanced lives.

Today, as we bid adieu to this colossus, I light a diya not just in grief, but in gratitude. Dharmendra ji, you took a curious child from Ghaziabad’s dusty lanes and handed him the key to a universe of stories. Your legacy – over 300 films strong, from monochrome whispers to Technicolor roars – will forever pulse in the hearts of filmmakers like me. Rest in eternal light, Paaji. May your dosti with the stars above be as unbreakable as Veeru’s vow. Om Shanti.

Yeh dosti… hum nahi todenge.

Sonu Tyagi is an award-winning writer, director, and producer; Founder of Approach Entertainment & Go Spiritual. Follow his journey at www.approachentertainment.com and download the Approach Bollywood App for more cinematic tributes.

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The post The Day I Skipped School & Watched My First Film in Theatre: Dharmendra’s Charas – Sonu Tyagi first appeared on Approach Bollywood.

Confirmed by family sources and corroborated across multiple reports, Dharmendra’s departure comes after a challenging period marked by health concerns. Admitted to Mumbai’s Breach Candy Hospital on October 31, 2025, for breathing difficulties, he was briefly placed in the ICU for observation before stabilizing. Discharged on November 12 around 7:30 AM, the actor returned home for continued recovery under medical supervision, with doctors making regular visits to monitor his condition. Earlier false alarms on November 11 had sparked widespread panic, with unverified death rumors flooding social media and prompting swift rebuttals from his wife Hema Malini and daughter Esha Deol, who urged privacy and confirmed his stability at the time. Tragically, those prayers proved insufficient against the inevitable.

Born Dharam Singh Kewal Krishan Deol on December 8, 1935, in the modest village of Nasrali in Punjab’s Ludhiana district, Dharmendra hailed from a Jat Sikh family. His father, Kewal Krishan Deol, was a school headmaster, and his mother, Satwant Kaur, instilled values of resilience that would define his life and roles. One of six siblings, young Dharam attended Government Senior Secondary School in Lalton Kalan and later Ramgarhia College in Phagwara, completing his education up to Class 12. A fitter at a tubewell in Sanewal by day, he harbored dreams of the silver screen, inspired by Hollywood icons like John Wayne and Gary Cooper.

From Village Dreams to Silver Screen Stardom

Dharmendra’s Bollywood odyssey began in 1958 when he won a nationwide talent hunt, earning a ticket to Mumbai. His debut came in 1960 with the romantic drama Dil Bhi Tera Hum Bhi Tere, but it was the 1961 hit Shola Aur Shabnam that sparked his rise. Breakthrough arrived with Phool Aur Patthar (1966), a box-office juggernaut that netted him his first Filmfare Best Actor nomination and cemented his status as a leading man blending romance, action, and drama.

Over 300 films later, Dharmendra’s filmography reads like a chronicle of Hindi cinema’s golden age. He shone in Bimal Roy’s poignant Bandini (1963), earning critical acclaim opposite Nutan; the war epic Haqeeqat (1964); and the romantic Ayee Milan Ki Bela (1964), which fetched a Filmfare Best Supporting Actor nod despite his antagonistic role. The 1970s crowned him king with Ramesh Sippy’s Sholay (1975), where his Veeru – the loyal, wisecracking bandit – alongside Amitabh Bachchan’s Jai, immortalized the line “Yeh dosti hum nahin todenge.” The film, India’s highest-grosser for years, won multiple honors, including the National Film Award for Best Popular Film Providing Wholesome Entertainment.

His chemistry with Hema Malini sparkled in 27 films, including Seeta Aur Geeta (1972), Dost (1974), and Raja Jani (1972). Comedy found a master in Chupke Chupke (1975), while action thrived in Dharam Veer (1977) and The Burning Train (1980). Later, he produced Betaab (1983), launching son Sunny Deol, and Ghayal (1990), which clinched seven Filmfare Awards and another National Film Award. Even in his 80s, Dharmendra dazzled in Rocky Aur Rani Kii Prem Kahaani (2023), earning praise for his spirited patriarch, and Teri Baaton Mein Aisa Uljha Jiya (2024). His swan song, the war drama Ikkis (releasing December 25, 2025), opposite Agastya Nanda, will now serve as a poignant posthumous tribute.

Awards befitting a titan followed: Four Filmfare Best Actor nominations, the 1997 Filmfare Lifetime Achievement Award, the 2012 Padma Bhushan (India’s third-highest civilian honor), and the 1990 National Film Award for Ghayal. Voted one of the world’s most handsome men in the 1970s, Dharmendra’s off-screen ventures included politics as a BJP MP from Bikaner (2004–2009) and production under Vijayta Films.

A Personal Saga: Love, Family, and Quiet Strength

Dharmendra’s life mirrored his films’ drama. Married at 19 to Prakash Kaur in 1954, he fathered sons Sunny (born 1956) and Bobby Deol (1967), both Bollywood stalwarts, and daughters Vijeta (1962) and Ajeeta (1966). His enduring romance with Hema Malini, met on Sholay‘s sets, led to a 1980 union – after converting to Islam to sidestep bigamy laws – yielding daughters Esha (1981) and Ahana Deol (1985), both actresses and dancers. Nephew Abhay Deol carried the family torch. Despite controversies, Dharmendra navigated with the grace of his screen personas, often crediting family as his anchor.

Tributes Pour In: A Nation Mourns, Stars Gather

The news rippled like a thunderclap, halting Mumbai’s bustle. Prime Minister Narendra Modi, in a heartfelt post, hailed Dharmendra as marking “the end of an era in Indian cinema. He was an iconic film personality, a phenomenal actor who brought charm and depth to every role he played. The manner in which he played diverse roles struck a chord with countless people. Dharmendra Ji was equally admired for his simplicity, humility and warmth. In this sad hour, my thoughts are with his family, friends and innumerable fans. Om Shanti.” President Droupadi Murmu, Union Ministers Amit Shah and Smriti Irani, and opposition leader Rahul Gandhi echoed the grief, with Jharkhand CM Hemant Soren calling it “heartbreaking.”

Bollywood converged in sorrow at the Pawan Hans crematorium in Vile Parle, where last rites commenced around noon amid tight security and throngs of fans. Sons Sunny and Bobby Deol, flanked by Hema Malini, Esha, and Ahana, performed ceremonies in a haze of incense and chants. Amitabh Bachchan, his Sholay comrade, arrived teary-eyed. Salman Khan deemed him “the real action king,” Shah Rukh Khan “a legend who touched souls,” and Aamir Khan “an eternal inspiration.” Hema Malini, voice breaking, shared: “My life partner, my strength – he will always remain in my heart.” Filmmaker Karan Johar lamented “the end of an era,” while tributes from Jr NTR, Yuvraj Singh, and Allu Arjun flooded social media, trending #ThankYouDharmendra and #RIPDharmendra.

Virat Kohli posted: “Today, we have lost a legend of Indian cinema who captivated hearts with his charm and his talent. A true icon who inspired everyone who watched him. May the family find strength in this tough time. My sincere condolences to the whole family. ” Dia Mirza remembered him as “a son of the soil. Rooted, humble, tender… Thank you for the cinema, the warmth, the gentleness. You live on.” Kerala Chief Minister Pinarayi Vijayan noted: “The passing of Dharmendra leaves a deep void in the cultural memory of our nation. Over six decades, he brought to life unforgettable characters and classics like Sholay, earning admiration across India and abroad.”

A major film event was postponed, and fans lit candles outside his home, reciting dialogues from Sholay. Globally, re-runs of his classics surged, with the International Film Festival of India in Goa showcasing the ‘Jai-Veeru’ bike from Sholay mere hours before the news broke – a serendipitous nod to 50 years of cinematic ‘dosti’.

An Immortal Flame: Legacy Beyond the Stars

Dharmendra wasn’t just an actor; he was the pulse of an industry, bridging black-and-white romances to Technicolor spectacles. From village boy to global icon, his journey – marked by 300+ films, blockbuster hits, and a family dynasty – embodies Bollywood’s resilient spirit. As Sholay‘s restored 4K cut gears up for a December 12 re-release, and Ikkis awaits, his words ring true: heroism wrapped in heart.

Approach Bollywood extends profound condolences to the Deol family. Dharmendra may have exited stage left, but his roar echoes eternally. Om Shanti, Garam Dharam. Yeh dosti… hum nahi todenge.

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The session began with a warm felicitation as Dr. Ajay Nagabhushan MN, Joint Secretary (Films), honoured Chopra and Joshi, followed by Shri Ravi Kottarakkara, noted film producer, who presented both with shawls. Dr. Ajay expressed hope that Chopra would continue guiding young filmmakers with his trademark honesty. Ravi hailed Chopra’s ‘Parinda’ as a “game-changing film” that rewrote Indian cinema.

Opening the conversation, Abhijat Joshi reminisced about the very first day he met Vidhu Vinod Chopra, a November day he remembers vividly, a moment that eventually shaped films like ‘Lage Raho Munna Bhai’ and ‘3 Idiots’. He then asked Chopra if his style had evolved from ‘Parinda’ to ‘12th Fail’. Chopra’s answer was as raw as it was revealing.

“Every film reflects who I am at that point,” he said. “I was angry when I made ‘Parinda’. You can see that violence in the movie. Today I’m calmer.”

He added that ‘12th Fail’ came from witnessing corruption around him. “The film was my way of saying let’s be honest for a change. If I can change even 1% of the bureaucracy, that’s enough.” He also shared how watching ‘1942: A Love Story’ in its newly restored 8K version made him emotional. It was a film, he said, he could not make today because he is no longer the same person.

A Cinema of Conviction

Joshi affirmed that Chopra’s greatest hallmark is his unwavering loyalty to his own conviction. “He never cares about a film’s commercial fate, he values only its artistic fate,” he said, before steering the conversation toward the creative processes behind ‘Parinda’ and ‘12th Fail’.

Chopra spoke passionately about preparation, vision, and the pursuit of visual truth. He elaborated on a famous shot from ‘1942: A Love Story’, even singing the song soulfully as the audience cheered. He described insisting on real birds flying across the mountain ridge and how his crew scattered breadcrumbs to make it happen. Seeing that scene yesterday in 8K, he said, “was joy.”

What followed was a cascade of hilarious and heartfelt memories. Chopra recalled writing ‘Khamosh’ in a tiny one-room flat where he would shout dialogues and “cut, cut!” from the rooftop, terrifying neighbours. Joshi confirmed: “Vidhu can get as excited as a child when conceiving a film.”

Another crowd favourite was the story of Actor Jackie Shroff accidentally walking into the wrong apartment during rehearsals, waking up a startled woman, and handing her flowers. “She told everyone she dreamt Jackie Shroff visited her,” Chopra laughed.

Speaking about ‘1942: A Love Story’, Chopra narrated his fierce determination to collaborate with R.D. Burman despite those who claimed Burman’s time was over. When Burman presented initial tunes, Chopra rejected them bluntly. “I called it bullshit. I wanted the soul of S.D. Burman.” Weeks later, came “Kuch Na Kaho.” Chopra sang the melody onstage, receiving thunderous applause. “This song exists because I said that one word,” he joked.

Chopra also revisited his famous National Award story. He narrated how he expected ₹4,000 in cash along with the award, only to receive an eight-year postal bond. His humorous recreation of his argument with L.K. Advani left the hall roaring. He also acknowledged Advani’s later support, including helping him attend the Oscars.

Voices Behind the Classics Join In

In a heartwarming moment, Kamna Chandra, 92-year-old writer of ‘1942: A Love Story’ and Chopra’s mother-in-law, joined the conversation, along with producer Yogesh Ishwar. Kamna spoke of laboring over each dialogue and the emotion she felt watching the restored version. “I felt like I’ve done something in life,” she said.

Yogesh detailed the meticulous 8K restoration journey in Italy, cleaning the film frame by frame and remastering its sound. Chopra said the restored version “looks exactly like what I had imagined.”

The session concluded with a lively Q&A, but it was clear that the true magic had already unfolded. The audience had travelled through decades of cinema, lived through the joys and absurdities of filmmaking, and witnessed the creative partnership between Vidhu and Abhijat that has shaped some of India’s most beloved films.

About IFFI

Born in 1952, the International Film Festival of India (IFFI) stands tall as South Asia’s oldest and largest celebration of cinema. Jointly hosted by the National Film Development Corporation (NFDC), Ministry of Information and Broadcasting, Government of India and the Entertainment Society of Goa (ESG), State Government of Goa, the festival has grown into a global cinematic powerhouse—where restored classics meet bold experiments, and legendary maestros share space with fearless first-timers. What makes IFFI truly sparkle is its electric mix—international competitions, cultural showcases, masterclasses, tributes, and the high-energy WAVES Film Bazaar, where ideas, deals and collaborations take flight. Staged against Goa’s stunning coastal backdrop from November 20–28, the 56th edition promises a dazzling spectrum of languages, genres, innovations, and voices—an immersive celebration of India’s creative brilliance on the world stage.

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Addressing a presser today, Kamlesh described Kakori as “a film carved out of fire and sacrifice. Four revolutionaries martyred within forty-eight hours—how can such an incident ever fade? Their bravery and sacrifice still thunders through the generations. With the centenary arriving on 9^th August 2025, it felt like history itself nudged us to retell this story—with honesty, grit, and a whole lot of emotion.”

Kamlesh emphasized the meticulous research that formed the backbone of the film. From delving into archival books and weathered newspapers to consulting eminent historians and visiting poignant memorials in places like Shahjahanpur, the team pursued every lead with relentless dedication to capture the event’s true essence. “Our goal was to honor every fact with honesty and precision,” he explained. “What initially began as a documentary, gradually evolved into a fully immersive cinematic experience. The real challenge,” he reflected, “was condensing such a monumental chapter of history into a visually compelling thirty-minute narrative—while preserving its emotional resonance and historical gravitas.”

Producer Jaswinder Singh praised the cast for their commitment. “Our artists have breathed life into the revolutionaries. This film is our tribute to their indomitable spirit, and we hope it inspires future generations with a renewed sense of patriotism”, he added.

About the Film

India | 2024 | Hindi | 31′ | Colour

Set against the turbulent backdrop of 1920s British India, Kakori marks the centenary of the legendary Kakori Rail Action, honoring the fearless revolutionaries who challenged colonial rule. The film traces the Hindustan Republican Association’s audacious plan to seize British treasury funds through a daring train raid led by Ram Prasad Bismil, Ashfaqulla Khan, Chandrasekhar Azad and their comrades. At the heist unfolds into a defining moment in India’s Freedom struggle, the story delves into the revolutionaries’ ideals, comraderie, and enduring sacrifices. Through betrayal, imprisonment, and martyrdom, kakori emerges as a stirring portrayal of youthful courage and unwavering patriotism.

Cast & Crew

Director- Kamlesh K Mishra

Producer- KSR Brothers

Screenplay- Kamlesh K Mishra

Cinematographer- Dev Agrawal

Editor- Abhishek Vats, Aron Ram

Music Director- Bapi Bhattacharya

Cast- Peeyush Suhane, Manwendra Tripathy, Vikas Shrivastav, Santosh Kumar Ojha, Rajneesh Kaushiq, Hirdeyjeet Singh

About IFFI

Born in 1952, the International Film Festival of India (IFFI) stands tall as South Asia’s oldest and largest celebration of cinema. Jointly hosted by the National Film Development Corporation (NFDC), Ministry of Information and Broadcasting, Government of India and the Entertainment Society of Goa (ESG), State Government of Goa, the festival has grown into a global cinematic powerhouse—where restored classics meet bold experiments, and legendary maestros share space with fearless first-timers. What makes IFFI truly sparkle is its electric mix—international competitions, cultural showcases, masterclasses, tributes, and the high-energy WAVES Film Bazaar, where ideas, deals and collaborations take flight. Staged against Goa’s stunning coastal backdrop from November 20–28, the 56th edition promises a dazzling spectrum of languages, genres, innovations, and voices—an immersive celebration of India’s creative brilliance on the world stage.

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In his opening remarks, Shri Sanjay Jaju, Secretary, Ministry of Information and Broadcasting, described WAVES Film Bazaar as the natural and fitting beginning to IFFI’s celebrations. He called it a “complete ecosystem of screenings, masterclasses, and technology showcases,” and emphasised how the new identity of WAVES aligns with the Prime Minister’s vision of “converting art into commerce.”

He highlighted the world’s first e-marketplace for filmmakers and stressed that WAVES is “connecting creators and countries, making India a meeting point for global collaboration.” He noted the wide array of curated projects, cash grants and structured feedback processes, while also spotlighting India’s first-ever AI Film Festival and Hackathon as essential steps toward embracing the future of cinematic technology.

Guest of Honour Ms. Jaewon Kim, Member of the National Assembly of the Republic of Korea, applauded the organisers for their commitment and consistency since the first edition of the festival. Expressing hopes for active collaboration between India and Korea, she also delivered a soulful rendition of Vande Mataram, drawing warm applause and standing ovation from the audience.

Dr. L. Murugan, Minister of State for Information and Broadcasting, while inaugurating the Bazaar, spoke about the Prime Minister’s vision for India to emerge as a global hub of film production. Calling it a “bridge between creators and producers,” he praised the platform for empowering young voices and new storytellers, noting the participation of 124 new creators in the bazaar this year and reaffirming its role in taking Indian culture and content to the world.

Additional Secretary Shri Prabhat delivered the vote of thanks at the ceremony. The inaugural ceremony was also attended by IFFI Festival Director and celebrated filmmaker Shekhar Kapur; actors Shri Nandamuri Balakrishna and Shri Anupam Kher; Jerome Paillard, Advisor to Waves Bazaar; Garth Davis, Australian Film Director; and Shri Prakash Magdum, Managing Director, NFDC, together symbolising the dynamic confluence of creativity and industry leadership at this year’s event.

WAVES Film Bazaar: Showcasing Talent, Technology, and Global Collaboration

Formerly known as Film Bazaar, the initiative was launched by the National Film Development Corporation (NFDC) in 2007 and has grown into South Asia’s most influential film market.

The Bazaar brings together an expansive selection of more than 300 film projects across its curated verticals, including the Screenwriters’ Lab, Market Screenings, Viewing Room library and the Co-Production Market. The Co-Production Market features 22 feature films and 5 documentaries, while the WAVES Film Bazaar Recommends section presents 22 remarkable films across multiple formats. Delegations from over seven countries and film incentive showcases from more than ten Indian states further enrich the platform.

A dedicated Tech Pavilion offers a dynamic space for exploring cutting-edge VFX, CGI, animation and digital production tools. Adding to the forward-looking spirit of the event, this year also marks the introduction of the CinemAI Hackathon, organised in collaboration with LTIMindtree, inviting creators to experiment with AI-driven storytelling, certification processes and anti-piracy innovations.

With its seamless blend of creativity, technology, and global exchange, the WAVES Film Bazaar sets the stage for vibrant collaboration and discovery, reaffirming India’s role as a dynamic hub for cinematic ideas and international partnerships.

About IFFI

Born in 1952, the International Film Festival of India (IFFI) stands tall as South Asia’s oldest and largest celebration of cinema. Jointly hosted by the National Film Development Corporation (NFDC), Ministry of Information and Broadcasting, Government of India and the Entertainment Society of Goa (ESG), State Government of Goa, the festival has grown into a global cinematic powerhouse—where restored classics meet bold experiments, and legendary maestros share space with fearless first-timers. What makes IFFI truly sparkle is its electric mix—international competitions, cultural showcases, masterclasses, tributes, and the high-energy WAVES Film Bazaar, where ideas, deals and collaborations take flight. Staged against Goa’s stunning coastal backdrop from November 20–28, the 56th edition promises a dazzling spectrum of languages, genres, innovations, and voices—an immersive celebration of India’s creative brilliance on the world stage.

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The post WAVES Film Bazaar Sets Sail in Goa with a Celebratory Inaugural Gathering first appeared on Approach Bollywood.

The parade will be led by the magnificent state tableaus of Andhra Pradesh, Haryana, and Goa, each presenting a vivid portrait of identity and imagination. Andhra Pradesh brings the charm of Visakhapatnam’s golden shores, the mystic valleys of Araku and the pulsating spirit of Tollywood. Haryana offers a colourful fusion of folklore, theatre, culture and cinematic pride. Goa, the festival’s long-standing home, forms the emotional heart of the procession, celebrating its cosmopolitan warmth and timeless bond with world cinema.

Marching alongside the states are grand cinematic tableaus from India’s leading production houses — each a moving universe of storytelling excellence. The mythic power of Akhanda 2, the emotional depth of Ram Charan’s Peddi, the creative force of Mythri Movie Makers, the iconic legacy of Zee Studios, the global vision of Hombale Films, the Odia heritage of Bindusagar, Ultra Media’s centenary homage to Guru Dutt, and the vibrant storytelling realm of WAVES OTT — all converge to showcase the boundless diversity of Indian cinema. Adding a historic dimension is the NFDC 50 Years Tableau, honouring five decades of nurturing filmmakers and fostering cinematic innovation across the nation.

Opening the parade with breathtaking energy is the Central Bureau of Communication’s “Bharat Ek Soor”, a spellbinding folk symphony featuring over a hundred artists from sixteen states. Bhangra meets Garba, Lavani flows into Ghoomar, Bihu breathes beside Chhau and Nati, culminating in a majestic Tricolour formation that embodies India’s unified cultural heartbeat.

Adding charm, nostalgia and delight are India’s beloved animation favourites — Chhota Bheem & Chutki, and Motu Patlu & Bittu Bahanebaaz — stepping off the screen to greet audiences with laughter, warmth and playful spirit.

The Opening Parade of IFFI 2025 is more than an inauguration; it is a cinematic overture and a cultural promise. As Goa prepares for this extraordinary beginning, IFFI invites the world to witness India not just as a nation of stories — but as a nation in motion, moving forward in one unforgettable rhythm.

Because when India moves, the world truly watches!

About IFFI

Born in 1952, the International Film Festival of India (IFFI) stands tall as South Asia’s oldest and largest celebration of cinema. Jointly hosted by the National Film Development Corporation (NFDC), Ministry of Information and Broadcasting, Government of India and the Entertainment Society of Goa (ESG), State Government of Goa, the festival has grown into a global cinematic powerhouse—where restored classics meet bold experiments, and legendary maestros share space with fearless first-timers. What makes IFFI truly sparkle is its electric mix—international competitions, cultural showcases, masterclasses, tributes, and the high-energy WAVES Film Bazaar, where ideas, deals and collaborations take flight. Staged against Goa’s stunning coastal backdrop from November 20–28, the 56th edition promises a dazzling spectrum of languages, genres, innovations, and voices—an immersive celebration of India’s creative brilliance on the world stage.

Download Approach Bollywood App Now. https://play.google.com/store/apps/details?id=com.approach.bollywood&hl=en_IN

The post IFFI Goa 2025 to Open with a Historic Grand Parade first appeared on Approach Bollywood.