करण सिंह त्यागी—फिल्ममेकर, लेखक और निर्माता—अपनी सटीक कहानी कहने की शैली और सार्थक सिनेमा के प्रति प्रतिबद्धता के लिए जाने जाते हैं। ‘बंदिश बैंडिट्स’ और ‘कालकूट’ जैसी सफल परियोजनाओं के बाद ‘केसरी चैप्टर 2’ के ज़रिए उन्होंने अपने निर्देशन कौशल को एक नए स्तर पर स्थापित किया है।

निर्णायक मंडल ने टिप्पणी करते हुए कहा कि फिल्म में “सिनेमा के मूल्यों, ऐतिहासिक महत्व और भारतीय स्वतंत्रता संग्राम के निर्णायक क्षणों को अद्भुत संवेदना के साथ प्रस्तुत किया गया है।” जूरी तथा इंडियन पैनोरमा के चेयरपर्सन ने निर्देशक, निर्माता, कलाकारों और तकनीकी टीम को बधाई देते हुए इसे “दृश्यात्मक उत्कृष्टता” का बेहतरीन उदाहरण बताया।

‘केसरी चैप्टर 2’ की कहानी
फिल्म उस असाधारण वास्तविक घटना पर आधारित है जिसमें केरल के साहसी बैरिस्टर शंकरन नायर ने जालियांवाला बाग हत्याकांड की सच्चाई दुनिया के सामने लाने के लिए ब्रिटिश साम्राज्य को चुनौती दी थी। वायसराय की परिषद के सदस्य रहते हुए नायर को जनरल डायर के निर्दोष नागरिकों पर जानबूझकर की गई गोलाबारी के अटल प्रमाण मिलते हैं। युवा वकील दिलरीत गिल के साथ मिलकर वे ब्रिटिश हुकूमत के खिलाफ एक साहसिक कानूनी लड़ाई शुरू करते हैं—जिसका उद्देश्य था सैकड़ों शहीदों के लिए न्याय की मांग।

फिल्म केवल नायर के अटूट साहस को ही नहीं दिखाती, बल्कि यह भी दर्शाती है कि उनकी लड़ाई ने स्वतंत्रता संग्राम की आग को और भड़काया। दमदार कोर्टरूम ड्रामा और प्रभावशाली अभिनय के माध्यम से ‘केसरी चैप्टर 2’ भारत के इतिहास के इस कम ज्ञात अध्याय को रोचक और भावनात्मक तरीके से जीवंत करती है।

IFFI का यह पुरस्कार क्यों महत्वपूर्ण है
सर्वश्रेष्ठ डेब्यू भारतीय फीचर फिल्म निर्देशक का यह पुरस्कार उन नए फिल्मकारों को सम्मानित करता है जिनकी पहली फिल्में गहरी कलात्मक क्षमता और नवाचारी सोच दिखाती हैं। हर साल पांच तक डेब्यू फिल्मों का चयन किया जाता है और उन्हें महोत्सव में प्रदर्शित किया जाता है। इस पुरस्कार में ₹5 लाख नकद राशि और प्रमाणपत्र शामिल है।

करण सिंह त्यागी जैसे फिल्मकारों को सम्मानित कर IFFI यह पुनः स्थापित करता है कि भारतीय सिनेमा का भविष्य उन नई आवाज़ों के हाथों सुरक्षित है, जो साहसिक विचारों, नई दृष्टि और परिवर्तनकारी कथाओं के साथ देश के रचनात्मक परिदृश्य को आगे बढ़ा रहे हैं।

IFFI के बारे में

1952 में स्थापित इंटरनेशनल फिल्म फेस्टिवल ऑफ इंडिया (IFFI) दक्षिण एशिया का सबसे पुराना और सबसे प्रतिष्ठित सिनेमाई उत्सव है। इसे नेशनल फिल्म डेवलपमेंट कॉरपोरेशन (NFDC), सूचना एवं प्रसारण मंत्रालय, भारत सरकार और एंटरटेनमेंट सोसाइटी ऑफ गोवा (ESG), गोवा सरकार के सहयोग से आयोजित किया जाता है। वर्षों में IFFI एक वैश्विक मंच बन चुका है जहाँ पुनर्स्थापित क्लासिक्स से लेकर नये प्रयोगों तक, दिग्गजों से लेकर युवा फिल्मकारों तक सभी को समान स्थान मिलता है।

गोवा की खूबसूरत पृष्ठभूमि में 20 से 28 नवंबर तक आयोजित होने वाला इसका 56वां संस्करण भाषाओं, शैलियों, नवाचारों और रचनात्मकता का शानदार संगम प्रस्तुत करता है—एक ऐसा उत्सव जो भारतीय सिनेमा की प्रतिभा को विश्व पटल पर और उज्ज्वल करता है।

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The post करण सिंह त्यागी को ‘केसरी चैप्टर 2’ के लिए 56वें IFFI में मिला सर्वश्रेष्ठ डेब्यू भारतीय फीचर फिल्म निर्देशक का पुरस्कार first appeared on Approach Bollywood.

Following the screening to a packed theatre, the film’s producer, director, and lead actors interacted with the media at a PIB press conference held at the festival venue.

Renowned actor Seema Biswas, who plays the mother, spoke passionately about the film’s theme of mistreatment of aged parents. Calling the issue deeply prevalent, she said: “I have seen a lot of families where aged parents are ill-treated. Cinema is a powerful medium that can influence society. It is important to speak about the rising insensitivity towards elderly parents.” She feels that children desolating old parents shouldn’t happen more in a society like that of India where traditionally three generations stay together. She shared that the script moved her instantly, revealing: “If I were in the place of the mother who was deserted, I wouldn’t have returned. Self-respect is essential; without respect, familial bonds lose meaning.” The renowned actor also said that the pre-shoot workshops helped the team understand the characters better and “live with the characters” during filming.

Actor Chandan Roy Sanyal, who plays the son, said that actors often have to portray characters which are socially unacceptable. He feels that the film is very relevant as some people also treat aged parents as burden, even though mothers are worshipped in India. He approached the role without villainy, noting that even flawed individuals have their own internal justifications. His character’s painful realisation of guilt forms a key emotional arc of the film.

Actor Anjali Patil remarked that she accepted the role in the film for the simplicity of narrative, which is rare in contemporary cinema, and the opportunity to work and learn from the great actor Seema Biswas.

The film’s producer Hemanshu Rai recalled hearing the script in Goa a year earlier and being immediately struck by its power. He remarked that the story’s essence resonated with him as it is about the strongest bond of a mother and son, though having a dark side as well. The story is very powerful, he feels.

Debutant Director Ashutosh Singh shot amidst a sea of people in Mahakumbh. The area also happens to be his village! Shooting was completed in 10-12 days in midst of the crowd of Mahakumbh which was visited by crores of  pilgrims. He noted, “The colour of the film was found in Mahakumbh” and highlighted the blend of tradition and modernity—the pilgrims with digital devices, the vibrant folk ambience, and the visual chaos that shaped the film’s texture. All these found a reflection in the film.

He stated that shooting in Kumbh was the most difficult part, though shooting in his own village was fun. He also remarked, “The shooting was like film school training, having such powerhouse actors. It is important to have a good cast for a film”.

Giving more insights on tackling the crowd while shooting in a real location like Kumbh, Ashutosh revealed that the entire cast and crew were dressed like local people, not wearing any fancy  “bombaiya kapda”. That way, they easily became a part of the crowd! They also took dip in sangam. Since many people carry video cameras around, using shooting devices didn’t make them stand out much, said the Director. The only concern was to make the characters stand out amidst the crowd, he added.

The lead actors also revealed that Shooting in Kumbh was unique and challenging, but adventurous and exciting. Anjali Patil regretted not having to shoot in Kumbh as her scenes didn’t have any provision for it. Seema Biswas noted, “The crowd didn’t interfere much with the shooting process and were very cooperative and supportive, may be because of the existent spiritual feelings all around”.

About IFFI:

Born in 1952, the International Film Festival of India (IFFI) stands tall as South Asia’s oldest and largest celebration of cinema. Jointly hosted by the National Film Development Corporation (NFDC), Ministry of Information and Broadcasting, Government of India and the Entertainment Society of Goa (ESG), State Government of Goa, the festival has grown into a global cinematic powerhouse—where restored classics meet bold experiments, and legendary maestros share space with fearless first-timers. What makes IFFI truly sparkle is its electric mix—international competitions, cultural showcases, masterclasses, tributes, and the high-energy WAVES Film Bazaar, where ideas, deals and collaborations take flight. Staged against Goa’s stunning coastal backdrop from November 20–28, the 56th edition promises a dazzling spectrum of languages, genres, innovations, and voices—an immersive celebration of India’s creative brilliance on the world stage.

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The post ‘Khoya Paya’: A Heart-Wrenching Tale of Abandonment and Love Screened at 56th IFFI first appeared on Approach Bollywood.

नई दिल्ली, भारत – उत्तर भारत एक बार फिर कड़ाके की ठंड की चपेट में आने वाला है, ऐसे में गो स्पिरिचुअल, एक प्रमुख आध्यात्मिक सामाजिक संस्था, और अप्रोच एंटरटेनमेंट, पुरस्कृत सेलिब्रिटी मैनेजमेंट व फिल्म प्रोडक्शन संगठन, ने मिलकर 2025 कंबल वितरण अभियान की शुरुआत की है। हर वर्ष बढ़ती ठंड और आश्रयहीन लोगों की बढ़ती संख्या को देखते हुए यह अभियान बेघर और वंचित लोगों को कंबल, गर्म कपड़े और भोजन उपलब्ध कराकर राहत देने के उद्देश्य से शुरू किया गया है।

अभियान दिल्ली, जयपुर, जालंधर, चंडीगढ़, शिमला, लुधियाना, नोएडा, गुरुग्राम और गाज़ियाबाद सहित उत्तर भारत के प्रमुख शहरों में चलाया जाएगा। इन क्षेत्रों में हजारों लोग हर साल बिना किसी सुरक्षित आश्रय के खुले आसमान के नीचे रातें बिताते हैं, जिससे उनका जीवन गंभीर जोखिमों से घिरा रहता है। 2025 का यह अभियान जीवन बचाने, राहत पहुंचाने और कठिन सर्दी में संघर्ष कर रहे लोगों को गरिमा के साथ जीने में मदद देने का प्रयास है।

गो स्पिरिचुअल 2017 से लगातार इस अभियान का नेतृत्व कर रहा है। इसका उद्देश्य आध्यात्मिकता, मानवीय सेवा और मानसिक कल्याण के सिद्धांतों पर आधारित समाज सेवा को बढ़ावा देना है। स्वयंसेवकों, समर्थकों और आध्यात्मिक समूहों को जोड़कर संस्था हर वर्ष अपनी पहुंच बढ़ाती रही है। सेवा को आध्यात्मिकता का सर्वोच्च रूप मानते हुए गो स्पिरिचुअल इस अभियान के माध्यम से करुणा, सहानुभूति और निःस्वार्थ भाव की सीख को समाज में प्रसारित करता है।

अभियान की पहुंच को बढ़ाने के लिए अप्रोच कम्युनिकेशंस, जो अप्रोच एंटरटेनमेंट ग्रुप का पीआर और इंटीग्रेटेड कम्युनिकेशंस विभाग है, जनसंपर्क, डिजिटल प्रचार और मीडिया मैनेजमेंट की जिम्मेदारी निभा रहा है। साथ ही, अप्रोच एंटरटेनमेंट प्रभावशाली वीडियो बना रहा है, सेलिब्रिटीज और सामाजिक प्रभावकारों को जोड़ रहा है, और जन-जागरूकता गतिविधियों का आयोजन कर रहा है, ताकि अधिक से अधिक लोग इस अभियान से जुड़ सकें।

अभियान की शुरुआत पर गो स्पिरिचुअल और अप्रोच एंटरटेनमेंट के संस्थापक सोनू त्यागी ने कहा:

“हर साल सर्दी उन लोगों के लिए और भी घातक होती जा रही है जिनके पास अपने बचाव के लिए कोई छत नहीं है। 2025 का कंबल वितरण अभियान सिर्फ एक पहल नहीं, बल्कि एक मानवीय दायित्व है। गो स्पिरिचुअल और अप्रोच एंटरटेनमेंट के माध्यम से, और हमारे निष्ठावान स्वयंसेवकों के प्रयासों से, हम उत्तर भारत को गर्माहट और उम्मीद से ढंकने का प्रयास कर रहे हैं। एक कंबल, एक गर्म कपड़ा या एक भोजन किसी की जान बचा सकता है। आइए इस सर्दी हम सब मिलकर उन लोगों के लिए सहारा बनें जो ठंड से जूझ रहे हैं।”

कई स्वतंत्र रिपोर्टों और एनजीओ के आंकड़ों के अनुसार, स्थिति बेहद गंभीर है। केवल दिल्ली में ही 2021 में 512 से अधिक बेघर लोग ठंड के कारण मर गए। 2023 में यह संख्या बढ़कर औसतन नौ मौत प्रतिदिन हो गई। पूरे देश में 2.6 करोड़ से अधिक लोग बेघर हैं, जिनमें सबसे अधिक प्रभावित क्षेत्र उत्तर भारत है। शहरों में जहां लोग फुटपाथों, फ्लाईओवरों के नीचे और खुले स्थानों पर सोते हैं, वहां ठंड से मौत का खतरा और अधिक बढ़ जाता है।

गो स्पिरिचुअल ने कोरोना लॉकडाउन के दौरान भी बड़े पैमाने पर भोजन वितरण कर हजारों लोगों की मदद की थी। हिंदू शास्त्रों में वर्णित “सेवा ही आध्यात्मिक उन्नति का मार्ग है”—इस सिद्धांत को आधार बनाकर संस्था लगातार सामाजिक उत्तरदायित्व निभाती आ रही है।

आध्यात्मिक जागरूकता और जागरूक जीवनशैली को आगे बढ़ाने के प्रयास में गो स्पिरिचुअल ने गो स्पिरिचुअल न्यूज़ मैगज़ीन ऐप और पोर्टल लॉन्च किया है, जो आध्यात्मिकता, वेलनेस, योग, मेडिटेशन, स्वास्थ्य, जीवनशैली, सामाजिक मुद्दों, पर्यटन, प्रेरणादायक कहानियों और बहुत से क्षेत्रों को कवर करता है। इसके साथ ही संगठन जल्द ही गो स्पिरिचुअल वेब टीवी और ओटीटी प्लेटफॉर्म लॉन्च करने जा रहा है, जो आध्यात्मिकता, वेलनेस और सामाजिक सरोकारों पर केंद्रित समर्पित कार्यक्रम प्रस्तुत करेगा।

गो स्पिरिचुअल, अप्रोच एंटरटेनमेंट ग्रुप की सामाजिक और आध्यात्मिक पहल है। सोनू त्यागी के नेतृत्व में यह समूह मुंबई, नई दिल्ली, गुरुग्राम, गोवा, कोलकाता, देहरादून, चंडीगढ़, हैदराबाद और अहमदाबाद सहित कई शहरों में सक्रिय है। अप्रोच एंटरटेनमेंट फिल्म प्रोडक्शन, सेलिब्रिटी मैनेजमेंट, कॉर्पोरेट फिल्म्स, फिल्म मार्केटिंग और इवेंट्स में एक स्थापित नाम है। इसकी सहायक संस्था अप्रोच कम्युनिकेशंस कॉर्पोरेट, हेल्थकेयर, मीडिया, शिक्षा, फाइनेंस और सामाजिक क्षेत्रों में अग्रणी पीआर एजेंसी है।

अप्रोच एंटरटेनमेंट ग्रुप को द बिज़ इंडिया अवॉर्ड 2010, सर्विस एक्सीलेंस अवॉर्ड, पीआर एजेंसी ऑफ द ईयर अवॉर्ड, और युवा रत्न अवॉर्ड जैसे कई प्रतिष्ठित सम्मान प्राप्त हो चुके हैं। समूह द्वारा निर्मित आध्यात्मिक वेब सीरीज़ टू ग्रेट मास्टर्स, जो स्वामी विवेकानंद और परमहंस योगानंद की शिक्षाओं पर आधारित है, एमएक्स प्लेयर पर उपलब्ध है।

सोनू त्यागी और अप्रोच एंटरटेनमेंट वैश्विक फिल्म लिबरेशन  के सह-निर्माता भी हैं, जो अंतरराष्ट्रीय सिनेमा में उनकी मजबूत उपस्थिति को दर्शाता है। इसके साथ ही सोनू त्यागी आगामी कॉमेडी फिल्म कैम्प डीसेंट    के क्रिएटिव प्रोड्यूसर भी हैं। यह फिल्म मुजीब–उल–हसन और विकास गुटगुटिया द्वारा निर्मित है, जिसमें बृजेन्द्र काला, राजपाल यादव, सारा खान और हेमंत पांडे जैसे बेहतरीन कलाकार शामिल हैं, और जो दर्शकों को मनोरंजन और ताजगी से भर देगा।

समूह जल्द ही अप्रोच पॉलिटिक्स—एक राजनीतिक और वर्तमान मामलों का न्यूज़वायर—और अप्रोच रूरल, एक ग्रामीण संचार डिवीजन, भी लॉन्च करने जा रहा है। इसके साथ अप्रोच बॉलीवुड के माध्यम से एंटरटेनमेंट न्यूज़ की डिजिटल मौजूदगी को भी और मजबूत किया जा रहा है।

जैसे-जैसे 2025 की सर्दी दस्तक दे रही है, गो स्पिरिचुअल और अप्रोच एंटरटेनमेंट लोगों, संस्थाओं, कॉर्पोरेट्स, एनजीओ और समुदायों से अपील करते हैं कि वे इस कंबल वितरण अभियान से जुड़ें और बेघरों को इस जानलेवा ठंड से बचाने में सहयोग करें। यह मानवता का आह्वान है—दिल खोलने का, हाथ बढ़ाने का और दुःख के समय किसी का सहारा बनने का।

अधिक जानकारी, दान या सहयोग के लिए संपर्क करें:

गो स्पिरिचुअल / अप्रोच एंटरटेनमेंट

मो.: 9820965004 / 9716962242
ईमेल: info@gospiritualindia.org / info@approachentertainment.com
वेबसाइट:
गो स्पिरिचुअल:   www.gospiritualindia.org
अप्रोच एंटरटेनमेंट: www.approachentertainment.com
गो स्पिरिचुअल न्यूज़ मैगज़ीन ऐप व पोर्टल:                                 www.gospiritualindia.in

The post गो स्पिरिचुअल और अप्रोच एंटरटेनमेंट ने शुरू किया 2025 कंबल वितरण अभियान, उत्तर भारत की कड़कड़ाती सर्दी से बेघरों को बचाने का मिशन first appeared on Approach Bollywood.

Over the past nine days, powerful stories and vibrant performances light up the silver screens and stages in the film festival’s venues spread across Goa, thereby enthralling audiences and reflecting a universal artistic spirit.

The red-carpet moments featuring both emerging and celebrated artists, the spectacular cultural performances, and the awards honouring distinguished as well as newly discovered cinematic talent together made the evening a memorable one for cine enthusiasts and film aficionados.

The festival came to a close with the screening of the Closing Film A Useful Ghost, directed by Ratchapoom Boonbunchachoke — a surreal gem that has earned acclaim at several renowned international film festivals and awards.

Amid the evening’s celebrations, the highlight unfolded with the announcement of the eagerly awaited awards, honoring the brilliant creators and outstanding talents who enchant audiences with their artistic excellence.

‘Skin of Youth’ directed by Ashleigh Mayfair bags the prestigious ‘Golden Peacock’ for Best Feature film    

Vietnamese film ‘Skin of Youth’ written and directed by Ashleigh Mayfair was adjudged the best feature film in the International Competition section, thereby bagging the prestigious Golden Peacock in 56^th IFFI.

With its compelling narrative, the film delivers a powerful message—to humanize, to illuminate, and to challenge silence. All elements of the film came together beautifully with good music and skilful editing. The Jury defined the film as – Bold and brave, stunning and stylish. The love and sacrifice shown in the film informs us of a life few of us will know, and hence the film will live long in our minds.

Santosh Davakhar, Director of Marathi film ‘Gondhal’ receives Silver Peacock for Best Director

Marathi feature ‘Gondhaal’ earned director 0the Silver Peacock for the Best Director in 56^th IFFI.

Set against the rich fabric of cultural tradition, Director Santosh Davakhar has given birth to a cinematic gem. A captivating narrative that keeps us on edge, surprising us beyond our wildest imagination – is how the Jury praised the film. Gondhal is like a Shakespearean fable set in a real world, the Jury further said.

Ubeimar Rios, Lead Actor of Spanish film ‘A Poet’ receives Silver Peacock for Best Male Actor

The lead actor of Spanish film A Poet, Ubeimar Rios was honoured with the Silver Peacock for Best Actor (Male) award in the 56^th IFFI.

The film explores the age-old clash between Art and Survival, but in a unique and unexpected way. The Jury stated that the film showcased a brilliant first time performance from actor Ubeimar Rios who portrays a suffering, defeated poet in a serious emotional crisis until he meets a talented teenager who changes his life. The film and Ubeimar’s portrayal are supremely uplifting and ultimately wonderfully redeeming, the Jury further stated in the citation.

Jara Sofija Ostan, Lead Actor of Slovenian film Little Trouble Girls receives Silver Peacock for Best Female Actor

Jara Sofija Ostan, lead actor of Slovenian film Little Trouble Girls was honoured with the Silver Peacock in 56^th IFFI for her remarkably subtle and deeply expressive performance.

The Jury applauded her acting skills by citing that much is said through the simplest, most truthful, tiniest expressions and extremely delicate gestures.

Akinola Davies Jr, Director of My Father’s Shadow receives Special Jury Award

British-Nigerian film maker Akinola Davies Jr. was honoured with the Special Jury Award for the film My Father’s Shadow, in 56^th IFFI.

The Director and Screenplay writer has been applauded by the Jury, who said that Intimate moments and small gestures are at the heart of this film’s warm embrace. 

Hesam Farahmand for Persian film My Daughter’s Hair (Raha) and Tõnis Pill for Estonian film Frank jointly receive Best Debut Feature Film of a Director Award

Iranian film-maker Hesam Farahmand for his debut film My Daughter’s Hair (Raha) and Estonian film-maker Tõnis Pill for his debut feature Fränk, have been declared as joint winners of the Best Debut Film of a Director Award in 56^th IFFI.

The Jury praised both the films, which they cited to have stood tall, and equally were equally struck them by their brilliance.

Karan Singh Tyagi, Director of Hindi film Kesari Chapter 2 receives ‘Best Debut Director of Indian Feature Film Award’ award

Kesari Chapter 2 director Karan Singh Tyagi received the award for his debut film in the 56^th IFFI. Indian Panaroma jury congratulated the director, producer, actors and technicians of this film. 

Bandish Bandits Season 2 receives Best Web Series (OTT) Award  

The Best Web Series (OTT) award in the 56^th IFFI went to the team of Bandish Bandits Season 2. The Jury felt that the story of the web series makes music and art accessible for all.

Norwegian Film “Safe House” Wins the Prestigious ICFT–UNESCO Gandhi Medal

The Norwegian film “Safe House”, directed by Eirik Svensson, has been awarded the ICFT–UNESCO Gandhi Medal at the 56th International Film Festival of India (IFFI 2025) for its outstanding contribution to cinema that promotes peace, non-violence, and intercultural dialogue.​

A Golden Saga: Rajinikanth’s 50-Year Reign in Indian Cinema Celebrated

Legendary actor Rajinikanth, who has completed 50 years in Indian cinema—a milestone that reflects his enduring influence on the nation’s film culture—was specially felicitated at the closing ceremony today. The iconic star, who has captivated Indian audiences for half a century, expressed his gratitude to the Central Government for the honour. “When I look back, it feels as if time has flown, because I love cinema and acting. I would like to take a hundred births as an actor—as Rajinikanth. Thank you very much for your love and affection. This honour belongs to the entire film industry—producers, directors, technicians, distributors, exhibitors, and everyone else,” said the legendary actor.

The Chief Minister of Goa Dr. Pramod Sawant conveyed the congratulatory message of Honourable Prime Minister, who was in Goa for the 550th-year celebration of the Shree Samsthan Gokarn Partagali Jeevottam Math in Goa, to all the award winners. Dr. Pramod Sawant said that the spirit of Vasudhaiva Kutumbakam reflects creativity, innovation, technology, storytelling, and cinema. “We are here to celebrate films and the stories that move the world,” he remarked. He added that the evening was not merely the conclusion of a festival, but the culmination of a remarkable gathering of creative minds, artistic brilliance, and global collaborations. Highlighting cinema’s transformative power, he said that films are far more than entertainment—they shape public consciousness, inspire social change, preserve cultural heritage, and foster unity across India’s diverse society. Dr. Sawant noted that today’s content creators are crafting fresh narratives and experimenting with new formats that transcend geographical boundaries.He stated that Goa is IFFI’s permanent venue for years now and added that the Goa Government has made tireless efforts in nurturing the festival into a global cultural landmark.

Addressing the concluding ceremony of IFFI 2025, Union Minister of State for Information & Broadcasting and Parliamentary Affairs, Dr. L. Murugan highlighted the key innovations of the 56th edition of the festival. He noted that this year’s IFFI introduced tableaus and cultural exhibits from various states and production houses across Goa, showcasing India’s rich cultural heritage. “Every year, IFFI brings new flavours,” he said. Citing the Prime Minister’s vision, he shared that the WAVES Summit was held for the first time in Mumbai, with participation from 77 nations and key stakeholders from film, entertainment, media, and creative industries. The MoS also informed that this year’s festival celebrated the centenary of legendary film icons including Guru Dutt, Raj Khosla, Ritwik Ghatak, Bhupen Hazarika, P. Bhanumati, Salil Choudhury, and K. Vaikunth, and also felicitated Rajinikanth for completing 50 years in cinema. Dr. L. Murugan added that the WAVES Film Bazaar generated business worth over ₹1,050 crore for emerging filmmakers, while 125 young talents participated in the CMOT program, reflecting IFFI’s commitment to nurturing new creators. “For the first time in IFFI’s history, 50 films directed by women were screened, reaffirming our focus on empowering women in cinema,” he noted. Dr.  Murugan highlighted the establishment of the Indian Institute of Creative Technology in Mumbai to further drive innovation at the intersection of creativity and technology.

Speaking on the occasion, Secretary, Ministry of Information & Broadcasting, Shri Sanjay Jaju stated that Hon’ble Prime Minister Shri Narendra Modi said at the WAVES Summit that this is the time for dawn of the orange economy. I & B Secretary Shri Jaju further said that IFFI 2025 has taken a bold step in that direction—creating opportunities for creators and showcasing Indian talent proudly on the global stage. Shri Jaju also said that Indian Institute of Creative Technology (IICT) will help creators to not only hone up their skills and craft, but also learn the technology which is also an integral part of any creative production. The NFDC campus of IICT has already started functioning, he informed. IICT at Mumbai will be like a hub and spoke model, which will benefit creators around the country, he further added.

The Indian film industry icons remembered  the towering personalities who passed away this year, including Dharmendra, Kamini Kaushal, Sulakshana Pandit, Satish Shah, Piyush Pandey, Rishabh Tandon, Govardhan Asrani, Pankaj Dheer, Varinder Singh Ghuman, Zubeen Garg, Bal Karve, Jaswinder Bhalla, Jyoti Chandekar, Ratan Thiyam, B. Saroja Devi, Shefali Jariwala, Partho Ghosh, Vibhu Raghave, Shaji N. Karun, Manoj Kumar, Alok Chatterjee, Shyam Benegal and Zakir Hussain, for their invaluable contributions to Indian cinema.

Iconic film industry personalities Ramesh Sippy, Nawazuddin Siddiqui, Abhay Sinha, ⁠Omprakash Mehra, Kiran Shantaram were felicitated on the occasion. Festival Director Shekhar Kapur, NFDC MD Shri Prakash Madgum, ESG Goa Chairperson Delilah Lobo, Ravi Kisan, Rishabh Shetty, Ranveer Singh, Amit Sadd, Niharika Konidela and G.V.Prakash Kumar were present amongst the dignitaries on the occasion.

Through the Ganesh Vandana, traditional dances, remarkable performances by divyang artists, a vivid display of North East India’s cultural richness and Karnataka’s traditional folk theatre form of Yakshagana and  the performance of Manganiyars from Rajasthan, the program highlighted the diversity and vibrancy of Indian heritage.

The presence of Indian Sign Language interpreters at the closing ceremony underscored the inclusive spirit of the festival, which was reflected over the past nine days at the IFFI grounds through numerous divyang-friendly measures.

This year the film festival introduced AI Film Festival and CinemAI Hackathon that provided a platform to encourage creators worldwide to push the boundaries of storytelling using AI-driven tools for scriptwriting, video generation, editing, and production. 56^th IFFI also brought forth several masters of cinema and creativity for knowledge enhancing discourses- in-conversations, masterclasses and round tables.

The 56th IFFI, which concluded with a vibrant celebration of cinema, storytelling, and creativity, featuring stellar performances by talented artists and honouring deserving films and personalities, has etched a memorable space in the hearts of cinephiles and the global film community, while also earning a bright spot in the creative economy, highlighting the festival’s role in fostering innovation, talent, and artistic enterprise.

Now begins the wait for the next edition of IFFI, which will once again offer a global platform to celebrate cinematic excellence, recognize outstanding talent, and strengthen the creative economy.

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The post 56th IFFI comes to a close, but the magic of cinema will last forever! first appeared on Approach Bollywood.

In a landmark moment celebrating emerging cinematic talent, the 56th International Film Festival of India today honoured Karan Singh Tyagi with the Best Debut Director of Indian Feature Film Award for his critically acclaimed film ‘Kesari Chapter 2. Dr. L. Murugan, Minister of State for Information and Broadcasting and Parliamentary Affairs, handed over the award to Karan Singh Tyagi in the closing ceremony today. Shri Sanjay Jaju, Secretary, Ministry of Information & Broadcasting was present.

Tyagi, a filmmaker, writer, and producer, has carved a distinctive space for himself in Indian cinema with his sharp storytelling and commitment to meaningful narratives. His body of work already includes notable titles such as ‘Bandish Bandits’ and ‘Kaalkoot,’ and through ‘Kesari Chapter 2’ he has firmly established himself as a director to watch.

The Jury commented that it recognises the cinematic values, historical importance and compelling moments of Indian Freedom struggle which have been captured in the film. The Jurors and Chairperson of the Indian Panorama also added that they wish to congratulate the director, producer, the actors and the technicians of ‘Kesari Chapter 2,’ and called it a visual excellence.

‘Kesari Chapter 2’ recounts the extraordinary true story of Sankaran Nair, the fearless barrister from Kerala who took on the British Empire to expose the truth behind the Jallianwala Bagh Massacre. As a member of the Viceroy’s Council, Nair uncovers undeniable evidence of General Dyer’s deliberate firing on unarmed civilians. Together with young lawyer Dilreet Gill, he launches a daring legal battle against the colonial establishment, demanding justice for the hundreds of victims.

The film not only captures Nair’s unshakeable courage but also highlights the spark his actions ignited in India’s freedom struggle. Through its compelling courtroom drama and powerful performances, ‘Kesari Chapter 2’ brings to life a lesser-known chapter of Indian history with cinematic intensity and emotional depth.

The Best Debut Director of Indian Feature Film Award is part of IFFI’s continued effort to spotlight fresh voices redefining the country’s creative landscape. This year, the jury selected standout debut features that showcased innovative storytelling, regional diversity, and strong cinematic vision.

Instituted to recognise the creativity and promise of first-time filmmakers, the award honours directors whose early work signals significant potential and artistic merit. Each year, up to five debut films are selected in accordance with festival regulations and showcased. The award carries a cash prize of ₹5 lakhs along with a certificate.

By celebrating debut filmmakers like Karan Singh Tyagi, IFFI reaffirms its commitment to nurturing the next generation of storytellers: voices that will shape the future of Indian cinema with bold ideas, fresh perspectives, and transformative narratives.

About IFFI

Born in 1952, the International Film Festival of India (IFFI) stands tall as South Asia’s oldest and largest celebration of cinema. Jointly hosted by the National Film Development Corporation (NFDC), Ministry of Information and Broadcasting, Government of India and the Entertainment Society of Goa (ESG), State Government of Goa, the festival has grown into a global cinematic powerhouse—where restored classics meet bold experiments, and legendary maestros share space with fearless first-timers. What makes IFFI truly sparkle is its electric mix—international competitions, cultural showcases, masterclasses, tributes, and the high-energy WAVES Film Bazaar, where ideas, deals and collaborations take flight. Staged against Goa’s stunning coastal backdrop from November 20–28, the 56th edition promises a dazzling spectrum of languages, genres, innovations, and voices—an immersive celebration of India’s creative brilliance on the world stage.

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The post Karan Singh Tyagi Wins Best Debut Director of Indian Feature Film at 56th IFFI for ‘Kesari Chapter 2’ first appeared on Approach Bollywood.

The event featured the films Transparent Lands from Russia, presented by Executive Producer Maksim Dobromyslov; Axis of Life from Bulgaria, presented by Director Atanas Yordanov; and the Turkish–German–Bulgarian co-production Those Who Whistle After Dark, presented by Director Pınar Yorgancıoğlu.

During the Press Conference Director Atanas Yordanov shared insights into the artistic journey and philosophical foundation behind Axis of Life. He expressed admiration for India, stating that the country’s deep-rooted traditions of spirituality and philosophy were significant inspirations for the film. He also noted that the film’s themes have resonated strongly with younger audiences. Reflecting on Artificial Intelligence, Atanas remarked that while AI may advance rapidly, it can never replicate genuine human emotions or creative depth.

Aspirations Amid Abandonment

Executive Producer Maksim Dobromyslov addressed themes of aspiration and migration explored in Transparent Lands, highlighting people’s shift from smaller towns to major metropolitan cities in search of opportunities. He also drew parallels between India and Russia and underscored Russia’s growing prominence in global cinema, urging audiences worldwide to engage more deeply with contemporary Russian filmmaking.

Yorgancıoğlu on Debut and Global Cinema

Director Pınar Yorgancıoğlu described Those Who Whistle After Dark, her debut feature, as a remarkable product of international collaboration. The film follows a grieving museum manager whose life unravels into an existential crisis after a supernatural encounter. As he searches for meaning, his wife and daughter grapple with their own hidden struggles, and the family is soon confronted by the literal ghosts of their forsaken dreams.

She emphasized that cinema has the power to unite people across borders. Responding to a media query, she expressed interest in filming in India in the future, describing the country as a fascinating creative landscape. She also shared that she enjoys blending multiple genres within a single film.

Despite representing different cultures, all the filmmakers agreed that cinema remains one of the strongest mediums to bring like-minded people together and foster global connections.

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The post Bulgaria’s ‘Axis of Life’ Brings Philosophy and Spirituality to IFFI Stage first appeared on Approach Bollywood.

Noted filmmaker Rahul Rawail delivered an emotional remembrance, reflecting on his cherished memories with one of the brightest stars of the silver screen. He began by urging everyone to celebrate the extraordinary life of Late Shri Dharmendra, acknowledging the immense sorrow his family must be enduring. “He was an iconic actor and an exceptional human being,” Rawail said.

Recalling his days as an Assistant Director on Raj Kapoor’s Mera Naam Joker, Rawail shared how Late Shri Dharmendra portrayed trapeze artist Mahendra Kumar with unmatched dedication. He narrated how the actor would take an evening flight to Delhi every day for a month, shoot till 5 a.m., and then return to Mumbai to continue filming Aadmi Aur Insaan—a grueling schedule he maintained unfailingly.

Rahul Rawail also reminisced about the shooting of Betaab (1983), which marked the debut of Late Shri Dharmendra’s son, Sunny Deol. While filming in Kashmir, crowds would gather in large numbers just to catch a glimpse of Late Shri Dharmendra. After the film’s release, he watched his son’s debut at Gaiety Cinema in Bandra West every evening for several days and would visit Director Rahul Rawail’s home afterward to discuss the film with the same enthusiasm of someone viewing it for the first time each and every day. Rawail also noted with pride that the legendary actor’s children continue to carry forward his ‘tremendous legacy’.

“Dharam ji was a man whose life must be celebrated, for he brought a lot of pleasure to people”, he said emotionally. He recounted the story of a Delhi police officer who had longed to meet Late Shri Dharmendra and touch his feet. Upon learning that the icon had passed away, the officer broke down in grief, called Rawail and expressed his desire to meet Sunny Deol to convey his condolences. “This is the power of Dharam ji,” Rawail emphasized.

Rawail also called Late Shri Dharmendra a father figure who nurtured and supported him throughout his career. He also praised him as a wonderful producer.

In his concluding remarks, he said, “We’ve lost a great human being. We were fortunate to have lived in times when icons like Dharmendra ji were working.” He expressed gratitude to the IFFI organizers for arranging a special homage to honour the timeless star.

A towering figure, a beloved artist, and a man of unmatched warmth— Late Shri Dharmendra’s legacy will forever remain etched in the heart of Indian cinema.

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The post IFFI 2025 Pays Heartfelt Tribute to Legendary Actor Shri Dharmendra first appeared on Approach Bollywood.

Mumbai, November 24, 2025 – Today, as the news of Dharmendra ji’s passing reaches us, a profound silence falls over the world of cinema, but in my heart, it echoes with the thunderous applause of memories that began in the dim-lit halls of a small-town theatre. Dharmendra ji – the rugged, soul-stirring ‘He-Man’ who embodied resilience, romance, and raw humanity – was not just a screen icon for me; he was the very first flame that ignited my lifelong love affair with films. As the founder of Approach Entertainment, Approach Communications, and Go Spiritual India, where I blend storytelling with spiritual depth, I pen this tribute not as a mere admirer, but as a boy who found his calling under the spell of his silver-screen magic.

My journey into the enchanting realm of Bollywood began innocently enough: as a wide-eyed 6-year-old kid, taken by family to a local theatre in Ghaziabad to watch Naam, directed by Mahesh Bhatt and starring Sanjay Dutt and Kumar Gaurav, with the unforgettable Pankaj Udhas song Chithi Aayi Hai. I was too young to grasp the story’s nuances, but the flickering lights, the swell of music, and the collective gasps of the audience planted the seed of wonder. Yet, it was the black-and-white family dramas of that era – simple tales of love, duty, and unyielding spirit, often featuring stalwarts like Dharmendra ji in his early romantic and heroic roles – that truly captured my young imagination during those lazy Sunday outings. Films like Bandini (1963) or Anupama (1966), screened amid the aroma of popcorn and family chatter, became my secret sanctuary. They were more than entertainment; they were lessons in empathy, whispered through monochrome reels, teaching a child from a modest village the power of human connection. Dharmendra ji’s portrayals in those heartfelt family sagas, with his earnest eyes and steadfast charm, made the world feel both vast and intimately relatable.

But it was in my rebellious teenage years, skipping school in the 8th standard, that Dharmendra ji truly claimed my soul. Sneaking into Muradnagar Priya Cinema – a modest outpost of dreams in Western UP, near my village in Ghaziabad district – I caught Charas, the 1976 thriller directed by Ramanand Sagar, where he starred alongside the radiant Hema Malini ji. What a rush it was! The gripping chase through snowy landscapes, the intensity of his undercover cop navigating betrayal and bravery – it was pulse-pounding, heart-wrenching, and utterly transformative. As I sat there, heart racing in the darkness, Dharmendra ji’s powerful performance didn’t just captivate; it reshaped me. “Watching Charas was a turning point in my life. The magic of cinema and the powerful performances by Dharmendra ji and Hema Malini ji captivated me and set the foundation for my future endeavors in the entertainment world. It was an innocent rebellion that led me to discover my true calling.” That day, amid the thrill of evasion and the triumph of justice, I knew: this was my path. From psychology graduate to postgraduate in advertising management, journalism, and filmmaking; from honing skills at leading ad agencies and media houses to directing advertising films, music videos, and short films; from executive producing in Bollywood and Hollywood to launching spiritual web series like Two Great Masters – every frame I craft traces back to that spark.

As I grew, so did my adoration for his timeless repertoire. The black-and-white gems of his early days evolved into the color-soaked classics that redefined heroism. Who can forget Sholay (1975), where his Veeru rode into our hearts on that iconic motorcycle, bellowing “Yeh dosti hum nahin todenge” with Amitabh Bachchan’s Jai? It wasn’t just bromance; it was a manifesto for loyalty, a spiritual bond that mirrored the dharma he lived. Then came Chupke Chupke (1975), a riot of wit and warmth, where Dharmendra ji’s comic timing – that mischievous grin, those impeccable impersonations – proved he was as light-hearted as he was lion-hearted. Hrishikesh Mukherjee’s masterpiece reminded us that true strength lies in laughter, a philosophy I carry into Go Spiritual India’s mission of fostering mental wellness and joy.

And Satyakam (1969)? Ah, Hrishikesh da’s philosophical gem, where Dharmendra ji essayed the idealist engineer Satyapriya, grappling with truth in a world of compromise. It was a film that pierced the soul, urging us to uphold integrity amid chaos – a message that resonates deeply in my work promoting spiritual awareness and philanthropy through Go Spiritual India. From the raw intensity of Phool Aur Patthar (1966) to the familial bonds in Dharam Veer (1977), and the vengeful fire of Pratiggya (1971), his filmography was a tapestry of life’s truths: love’s endurance, justice’s pursuit, and the quiet dignity of the common man. Even in later jewels like Rocky Aur Rani Kii Prem Kahaani (2023), he brought that same effortless grace, proving legends only grow brighter with time. Through Approach Entertainment – where we’ve collaborated with stars like Amitabh Bachchan, Govinda, Bhagyashree, Jackie Shroff, Tanushree Dutta, Bobby Deol, and others for endorsements, events, and films – and Approach Communications, excelling in PR and brand management across Mumbai, New Delhi, Gurugram, Goa, Kolkata, Dehradun, Chandigarh, Hyderabad, and Ahmedabad, his influence is woven into every project.

Dharmendra ji wasn’t merely an actor; he was a guru of the grit, teaching us through every role that true power blooms from vulnerability. His Jat Sikh roots, his unpretentious charm, his foray into politics as a BJP MP – all spoke of a man who lived the dharma he portrayed. In an industry often swayed by glamour, he remained Garam Dharam: warm, wise, and wildly human. As Go Spiritual – our not-for-profit dedicated to philanthropy, spiritual tourism, events, media, and social causes – launches initiatives like our news magazine and upcoming Web TV/OTT platform, I see his legacy in our quest to enlighten and inspire balanced lives.

Today, as we bid adieu to this colossus, I light a diya not just in grief, but in gratitude. Dharmendra ji, you took a curious child from Ghaziabad’s dusty lanes and handed him the key to a universe of stories. Your legacy – over 300 films strong, from monochrome whispers to Technicolor roars – will forever pulse in the hearts of filmmakers like me. Rest in eternal light, Paaji. May your dosti with the stars above be as unbreakable as Veeru’s vow. Om Shanti.

Yeh dosti… hum nahi todenge.

Sonu Tyagi is an award-winning writer, director, and producer; Founder of Approach Entertainment & Go Spiritual. Follow his journey at www.approachentertainment.com and download the Approach Bollywood App for more cinematic tributes.

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The post The Day I Skipped School & Watched My First Film in Theatre: Dharmendra’s Charas – Sonu Tyagi first appeared on Approach Bollywood.

Confirmed by family sources and corroborated across multiple reports, Dharmendra’s departure comes after a challenging period marked by health concerns. Admitted to Mumbai’s Breach Candy Hospital on October 31, 2025, for breathing difficulties, he was briefly placed in the ICU for observation before stabilizing. Discharged on November 12 around 7:30 AM, the actor returned home for continued recovery under medical supervision, with doctors making regular visits to monitor his condition. Earlier false alarms on November 11 had sparked widespread panic, with unverified death rumors flooding social media and prompting swift rebuttals from his wife Hema Malini and daughter Esha Deol, who urged privacy and confirmed his stability at the time. Tragically, those prayers proved insufficient against the inevitable.

Born Dharam Singh Kewal Krishan Deol on December 8, 1935, in the modest village of Nasrali in Punjab’s Ludhiana district, Dharmendra hailed from a Jat Sikh family. His father, Kewal Krishan Deol, was a school headmaster, and his mother, Satwant Kaur, instilled values of resilience that would define his life and roles. One of six siblings, young Dharam attended Government Senior Secondary School in Lalton Kalan and later Ramgarhia College in Phagwara, completing his education up to Class 12. A fitter at a tubewell in Sanewal by day, he harbored dreams of the silver screen, inspired by Hollywood icons like John Wayne and Gary Cooper.

From Village Dreams to Silver Screen Stardom

Dharmendra’s Bollywood odyssey began in 1958 when he won a nationwide talent hunt, earning a ticket to Mumbai. His debut came in 1960 with the romantic drama Dil Bhi Tera Hum Bhi Tere, but it was the 1961 hit Shola Aur Shabnam that sparked his rise. Breakthrough arrived with Phool Aur Patthar (1966), a box-office juggernaut that netted him his first Filmfare Best Actor nomination and cemented his status as a leading man blending romance, action, and drama.

Over 300 films later, Dharmendra’s filmography reads like a chronicle of Hindi cinema’s golden age. He shone in Bimal Roy’s poignant Bandini (1963), earning critical acclaim opposite Nutan; the war epic Haqeeqat (1964); and the romantic Ayee Milan Ki Bela (1964), which fetched a Filmfare Best Supporting Actor nod despite his antagonistic role. The 1970s crowned him king with Ramesh Sippy’s Sholay (1975), where his Veeru – the loyal, wisecracking bandit – alongside Amitabh Bachchan’s Jai, immortalized the line “Yeh dosti hum nahin todenge.” The film, India’s highest-grosser for years, won multiple honors, including the National Film Award for Best Popular Film Providing Wholesome Entertainment.

His chemistry with Hema Malini sparkled in 27 films, including Seeta Aur Geeta (1972), Dost (1974), and Raja Jani (1972). Comedy found a master in Chupke Chupke (1975), while action thrived in Dharam Veer (1977) and The Burning Train (1980). Later, he produced Betaab (1983), launching son Sunny Deol, and Ghayal (1990), which clinched seven Filmfare Awards and another National Film Award. Even in his 80s, Dharmendra dazzled in Rocky Aur Rani Kii Prem Kahaani (2023), earning praise for his spirited patriarch, and Teri Baaton Mein Aisa Uljha Jiya (2024). His swan song, the war drama Ikkis (releasing December 25, 2025), opposite Agastya Nanda, will now serve as a poignant posthumous tribute.

Awards befitting a titan followed: Four Filmfare Best Actor nominations, the 1997 Filmfare Lifetime Achievement Award, the 2012 Padma Bhushan (India’s third-highest civilian honor), and the 1990 National Film Award for Ghayal. Voted one of the world’s most handsome men in the 1970s, Dharmendra’s off-screen ventures included politics as a BJP MP from Bikaner (2004–2009) and production under Vijayta Films.

A Personal Saga: Love, Family, and Quiet Strength

Dharmendra’s life mirrored his films’ drama. Married at 19 to Prakash Kaur in 1954, he fathered sons Sunny (born 1956) and Bobby Deol (1967), both Bollywood stalwarts, and daughters Vijeta (1962) and Ajeeta (1966). His enduring romance with Hema Malini, met on Sholay‘s sets, led to a 1980 union – after converting to Islam to sidestep bigamy laws – yielding daughters Esha (1981) and Ahana Deol (1985), both actresses and dancers. Nephew Abhay Deol carried the family torch. Despite controversies, Dharmendra navigated with the grace of his screen personas, often crediting family as his anchor.

Tributes Pour In: A Nation Mourns, Stars Gather

The news rippled like a thunderclap, halting Mumbai’s bustle. Prime Minister Narendra Modi, in a heartfelt post, hailed Dharmendra as marking “the end of an era in Indian cinema. He was an iconic film personality, a phenomenal actor who brought charm and depth to every role he played. The manner in which he played diverse roles struck a chord with countless people. Dharmendra Ji was equally admired for his simplicity, humility and warmth. In this sad hour, my thoughts are with his family, friends and innumerable fans. Om Shanti.” President Droupadi Murmu, Union Ministers Amit Shah and Smriti Irani, and opposition leader Rahul Gandhi echoed the grief, with Jharkhand CM Hemant Soren calling it “heartbreaking.”

Bollywood converged in sorrow at the Pawan Hans crematorium in Vile Parle, where last rites commenced around noon amid tight security and throngs of fans. Sons Sunny and Bobby Deol, flanked by Hema Malini, Esha, and Ahana, performed ceremonies in a haze of incense and chants. Amitabh Bachchan, his Sholay comrade, arrived teary-eyed. Salman Khan deemed him “the real action king,” Shah Rukh Khan “a legend who touched souls,” and Aamir Khan “an eternal inspiration.” Hema Malini, voice breaking, shared: “My life partner, my strength – he will always remain in my heart.” Filmmaker Karan Johar lamented “the end of an era,” while tributes from Jr NTR, Yuvraj Singh, and Allu Arjun flooded social media, trending #ThankYouDharmendra and #RIPDharmendra.

Virat Kohli posted: “Today, we have lost a legend of Indian cinema who captivated hearts with his charm and his talent. A true icon who inspired everyone who watched him. May the family find strength in this tough time. My sincere condolences to the whole family. ” Dia Mirza remembered him as “a son of the soil. Rooted, humble, tender… Thank you for the cinema, the warmth, the gentleness. You live on.” Kerala Chief Minister Pinarayi Vijayan noted: “The passing of Dharmendra leaves a deep void in the cultural memory of our nation. Over six decades, he brought to life unforgettable characters and classics like Sholay, earning admiration across India and abroad.”

A major film event was postponed, and fans lit candles outside his home, reciting dialogues from Sholay. Globally, re-runs of his classics surged, with the International Film Festival of India in Goa showcasing the ‘Jai-Veeru’ bike from Sholay mere hours before the news broke – a serendipitous nod to 50 years of cinematic ‘dosti’.

An Immortal Flame: Legacy Beyond the Stars

Dharmendra wasn’t just an actor; he was the pulse of an industry, bridging black-and-white romances to Technicolor spectacles. From village boy to global icon, his journey – marked by 300+ films, blockbuster hits, and a family dynasty – embodies Bollywood’s resilient spirit. As Sholay‘s restored 4K cut gears up for a December 12 re-release, and Ikkis awaits, his words ring true: heroism wrapped in heart.

Approach Bollywood extends profound condolences to the Deol family. Dharmendra may have exited stage left, but his roar echoes eternally. Om Shanti, Garam Dharam. Yeh dosti… hum nahi todenge.

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The post Bollywood’s Eternal ‘He-Man’ Dharmendra Passes Away at 89: A Life of Unbreakable Legacy first appeared on Approach Bollywood.

The session began with a warm felicitation as Dr. Ajay Nagabhushan MN, Joint Secretary (Films), honoured Chopra and Joshi, followed by Shri Ravi Kottarakkara, noted film producer, who presented both with shawls. Dr. Ajay expressed hope that Chopra would continue guiding young filmmakers with his trademark honesty. Ravi hailed Chopra’s ‘Parinda’ as a “game-changing film” that rewrote Indian cinema.

Opening the conversation, Abhijat Joshi reminisced about the very first day he met Vidhu Vinod Chopra, a November day he remembers vividly, a moment that eventually shaped films like ‘Lage Raho Munna Bhai’ and ‘3 Idiots’. He then asked Chopra if his style had evolved from ‘Parinda’ to ‘12th Fail’. Chopra’s answer was as raw as it was revealing.

“Every film reflects who I am at that point,” he said. “I was angry when I made ‘Parinda’. You can see that violence in the movie. Today I’m calmer.”

He added that ‘12th Fail’ came from witnessing corruption around him. “The film was my way of saying let’s be honest for a change. If I can change even 1% of the bureaucracy, that’s enough.” He also shared how watching ‘1942: A Love Story’ in its newly restored 8K version made him emotional. It was a film, he said, he could not make today because he is no longer the same person.

A Cinema of Conviction

Joshi affirmed that Chopra’s greatest hallmark is his unwavering loyalty to his own conviction. “He never cares about a film’s commercial fate, he values only its artistic fate,” he said, before steering the conversation toward the creative processes behind ‘Parinda’ and ‘12th Fail’.

Chopra spoke passionately about preparation, vision, and the pursuit of visual truth. He elaborated on a famous shot from ‘1942: A Love Story’, even singing the song soulfully as the audience cheered. He described insisting on real birds flying across the mountain ridge and how his crew scattered breadcrumbs to make it happen. Seeing that scene yesterday in 8K, he said, “was joy.”

What followed was a cascade of hilarious and heartfelt memories. Chopra recalled writing ‘Khamosh’ in a tiny one-room flat where he would shout dialogues and “cut, cut!” from the rooftop, terrifying neighbours. Joshi confirmed: “Vidhu can get as excited as a child when conceiving a film.”

Another crowd favourite was the story of Actor Jackie Shroff accidentally walking into the wrong apartment during rehearsals, waking up a startled woman, and handing her flowers. “She told everyone she dreamt Jackie Shroff visited her,” Chopra laughed.

Speaking about ‘1942: A Love Story’, Chopra narrated his fierce determination to collaborate with R.D. Burman despite those who claimed Burman’s time was over. When Burman presented initial tunes, Chopra rejected them bluntly. “I called it bullshit. I wanted the soul of S.D. Burman.” Weeks later, came “Kuch Na Kaho.” Chopra sang the melody onstage, receiving thunderous applause. “This song exists because I said that one word,” he joked.

Chopra also revisited his famous National Award story. He narrated how he expected ₹4,000 in cash along with the award, only to receive an eight-year postal bond. His humorous recreation of his argument with L.K. Advani left the hall roaring. He also acknowledged Advani’s later support, including helping him attend the Oscars.

Voices Behind the Classics Join In

In a heartwarming moment, Kamna Chandra, 92-year-old writer of ‘1942: A Love Story’ and Chopra’s mother-in-law, joined the conversation, along with producer Yogesh Ishwar. Kamna spoke of laboring over each dialogue and the emotion she felt watching the restored version. “I felt like I’ve done something in life,” she said.

Yogesh detailed the meticulous 8K restoration journey in Italy, cleaning the film frame by frame and remastering its sound. Chopra said the restored version “looks exactly like what I had imagined.”

The session concluded with a lively Q&A, but it was clear that the true magic had already unfolded. The audience had travelled through decades of cinema, lived through the joys and absurdities of filmmaking, and witnessed the creative partnership between Vidhu and Abhijat that has shaped some of India’s most beloved films.

About IFFI

Born in 1952, the International Film Festival of India (IFFI) stands tall as South Asia’s oldest and largest celebration of cinema. Jointly hosted by the National Film Development Corporation (NFDC), Ministry of Information and Broadcasting, Government of India and the Entertainment Society of Goa (ESG), State Government of Goa, the festival has grown into a global cinematic powerhouse—where restored classics meet bold experiments, and legendary maestros share space with fearless first-timers. What makes IFFI truly sparkle is its electric mix—international competitions, cultural showcases, masterclasses, tributes, and the high-energy WAVES Film Bazaar, where ideas, deals and collaborations take flight. Staged against Goa’s stunning coastal backdrop from November 20–28, the 56th edition promises a dazzling spectrum of languages, genres, innovations, and voices—an immersive celebration of India’s creative brilliance on the world stage.

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The post Unscripted Brilliance: Vidhu Vinod Chopra Lights Up IFFI with Wit, Wisdom and Cinematic Wonder first appeared on Approach Bollywood.